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Black Mirror: Bandersnatch (2018)

Trailer
1:33 | Trailer
In 1984, a young programmer begins to question reality as he works to adapt a fantasy novel into a video game.

Director:

David Slade

Writer:

Charlie Brooker
Reviews
Popularity
2,077 ( 185)

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Cast

Cast overview, first billed only:
Fionn Whitehead ... Stefan Butler
Craig Parkinson ... Peter Butler
Alice Lowe ... Dr. Haynes
Asim Chaudhry ... Mohan Thakur
Will Poulter ... Colin Ritman
Tallulah Haddon ... Kitty
Catriona Knox Catriona Knox ... Leslie
Paul Bradley Paul Bradley ... Robin
Jonathan Aris ... Crispin
A.J. Houghton ... Young Stefan
Fleur Keith ... Mum
Laura Evelyn ... Pearl Ritman
Alan Asaad ... Satpal
Suzanne Burden Suzanne Burden ... Judith Mulligan
Jeff Minter Jeff Minter ... Jerome F. Davies
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Storyline

1984. Stefan is developing a computer game based on the book 'Bandersnatch', a novel where you get to make choices and this determines the story. He has an opportunity to take his game to Tuckersoft, a software company, and have them release it. However, the more he works on the game the more his life emulates the game, with choices being made that are out of his control. Stefan appears to be going insane. Written by grantss

Plot Summary | Add Synopsis


Certificate:

TV-MA | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official page on Netflix

Country:

USA | UK

Language:

English

Release Date:

28 December 2018 (USA) See more »

Also Known As:

Black Mirror: Bandersnatch See more »

Filming Locations:

Croydon, London, England, UK

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

A Black Mirror (2011) interactive film, in which the viewer chooses the plot direction multiple times. Although the listed running time is 90 minutes, this is approximate depending how long the viewer decides to keep watching. The total amount of footage included to make all of the film's possible variations work is 5 hours 12 minutes 13 seconds, as revealed by the film's BBFC classification. See more »

Goofs

When Stefan plays a Tangerine Dream album on the turntable, the LP had a single track that takes up the whole album side. "Phaedra", which he purchases earlier and is used elsewhere throughout the movie is indeed an album-side long, but track that starts playing is "The Dream Is Always the Same" from the Risky Business soundtrack, which is about four minutes long and one of five tracks on that side. See more »

Quotes

Colin Ritman: There's messages in every game. Like Pac-Man. Do you know what PAC stands for? P-A-C: "program and control." He's Program and Control Man the whole things a metaphor, he thinks he's got free will but really he's trapped in a maze, in a system, all he can do is consume, he's pursued by demons that are probably just in his own head, and even if he does manage to escape by slipping out one side of the maze, what happens? He comes right back in the other side. People think it's a happy game, it's ...
See more »

Alternate Versions

There is no single narrative or version. There are five different endings, each with multiple pathways to them. See more »

Connections

References Black Mirror: Metalhead (2017) See more »

Soundtracks

Phaedra
Written by Edgar Froese, Christopher Franke and Peter Baumann
Performed by Tangerine Dream
See more »

Frequently Asked Questions

See more »

User Reviews

 
Bandersnatch ... or BLANDERsnatch?
29 December 2018 | by randalrauserSee all my reviews

I'm a big Black Mirror fan, that sophisticated dystopian British/Netflix series that explores the darker side of technology. So when I heard less than a week ago that Netflix was releasing a new full-length movie installment into the Black Mirror universe on December 28th, I gasped, "It's a Christmas miracle!"

And when I learned that this new movie, set in 1984 and centered on a young video game designer writing the code for a new video game called Bandersnatch, would immerse the audience in the story by allowing each viewer to choose how the story unfolds for them, I was cautiously optimistic. After all, The Cave of Time was one of my favorite books as a child. Indeed, for a couple of years in the early 1980s I lived on a steady literary diet of Choose Your Own Adventure books (here is a great boxed set for your favorite 9-12 year olds ... or nostalgic forty-somethings).

So last night, I sat down to watch (is that the right word?) Bandersnatch.

The choices begin early on when we are asked to choose which cereal our hero, Stefan, will have for breakfast. Fortunately, from there the choices increase in gravitas as the program unfolds.

One thing is clear: Bandersnatch is essential viewing for anyone remotely interested in Black Mirror ... or anyone with a Netflix account and an hour or two to spare. (Depending on your choices the program varies significantly in length.)

But here's my major frustration: if the show doesn't like your choice, it eventually steers you back to the main storyline. Personally, it felt a bit like getting your knuckles rapped and as the story begins to unfold again, you realize that you have rather less control than you'd been led to believe. After about 1 1/2 hours, I found myself growing increasingly impatient. Along the way, I'd been offered a couple of opportunities to bow out to the end credits, but I wanted to persist to the real end. However, eventually, I realized that my interest in completing this dark story had been outweighed by my desire to do something else, and so finally I bowed out.

It was at that point that I thought back to the video game Dragon's Lair. When it came to the arcade in 1983, we were dazzled by the animation.

But soon, the novelty wore off as we, or at least I, realized the playability was low. Put simply, there wasn't much fun in learning how to link a series of animation sequences and calling it a game.

For all its innovation, I have the same feeling about Bandersnatch. There simply isn't much fun in learning how to link a series of dramatic sequences and calling it a movie.


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