DoP Robby Müller has inspired generations with his ground-breaking camerawork. Director Claire Pijman had access to his personal archive to create an extraordinary film essay that intertwines archival material with excerpts of his oeuvre.
A story composed of fragments of lives lived in the periphery. Based on stories gathered and formed among the people who live in the region, Ridge turns the setting into the film's node and... See full summary »
A teenage girl, Jessica, befriends a teenage boy called Tom, who is bullied by a local gang. She is abused by Jack, who is both her neighbour and school teacher, and Tom is sexually abused ... See full summary »
David is a full family man: a woman he loves, two adorable children, a gang of friends. Returning from their last vacation, David is interrogated by the police as part of a murder. Quickly,... See full summary »
In a small and isolated town, Simon Dubé dies in a car accident. The stunned townspeople are reluctant to discuss the circumstances of the tragedy. From that point on time seems to lose all meaning, and the days stretch on without end.
Rose, 16, is a young girl from the DDASS. With his fiancee Michel, 22, they live their first big and innocent love story in Paris in 1979, at the heart of the Palace years. They are part of... See full summary »
Rabot tells the story of a social housing block on the brink of demolition. Those seeking a way out of their misery jump from the roof, those unable to find a home elsewhere, land one here.... See full summary »
Mimoun En Driss Azahaf,
Adrienne En Jozef Baeyens-Horion,
Noël En Kitana Coppens
Director of Photography Robby Müller is one of the few people in the world who knows how to play the sun. How to catch its rays like butterflies. How to strike its beams like chords. When Robby moves his camera, the camera turns into a musical instrument. And the whole world dances, radiates, is illuminated. For her extraordinary film essay Director and DoP Claire Pijman had access to Müller's personal archive: thousands of Hi8 video diaries, personal pictures and Polaroids that Müller photographed throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice. With his ground-breaking camerawork, inventive lighting methods, his exceptional sense for the depth of colour, and the freedom of framing, plus his ...