A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student.
Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.
Three 6th grade boys ditch school and embark on an epic journey while carrying accidentally stolen drugs, being hunted by teenage girls, and trying to make their way home in time for a long-awaited party.
Keith L. Williams,
A loving mom becomes compelled to reconnect with her creative passions after years of sacrificing herself for her family. Her leap of faith takes her on an epic adventure that jump-starts her life and leads to her triumphant rediscovery.
A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
A headstrong Chinese-American woman returns to China when her beloved grandmother is diagnosed with terminal cancer. Billi struggles with her family's decision to keep grandma in the dark about her own illness as they all stage an impromptu wedding to see grandma one last time.
The premise of this movie is based on a true story from Lulu Wang's real life: as the family in the film does, her family really did lie to Wang's grandmother about the grandmother's terminal cancer diagnosis in an attempt to prolong her life. The element of the story in which they use a family wedding as an excuse for everyone to come and visit the grandmother because she is dying was also based in fact. Wang had a great deal of trouble finding financiers to back the filming. American producers objected to the all-Asian cast and insisted that she needed to add prominent white characters. Chinese financiers thought the story was too American, and they also insisted on adding white characters. So in another attempt to draw attention to the project, Wang adapted the story into a segment of the April 22, 2016, episode of the public radio storytelling program "This American Life," which did result in Chris Weitz coming on as a producer and procuring other financing. See more »
Okay, when were you guys going to tell me this? How could you let me find out like this?
How should I have told you? "Oh, your grandma's on the roof".
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Shuzhen Zhao's hospital report says she has terminal cancer. She has perhaps four months to live. They don't tell her. Instead, the family rushes the marriage of Awkafina's cousin so that they can gather with one one last time, without letting her know anything is wrong.
It's been many years since a good friend insisted I look at Ang Lee's THE WEDDING BANQUET and EAT DRINK MAN WOMAN one after the other. When they were done, he said "Well?" and I said "They're so Jewish!" With his comedies of manners about an emigrant culture that sustains itself willy-nilly, rejected by and rejecting the mainstream, both groups are similar in their reliance on family and the dinner table as a means of staying together. Writer-director Lulu Wang's movie is of a piece with these two, with some very entertaining performances, and insight into what family means to people who are forced to be apart.
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