In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Suleiman, the lover of Ada, promised to another.
A policeman intent on freeing a crooked businessman from a prison on Gomera, an island in the Canaries. However, he must first learn the difficult local dialect, a language which includes hissing and spitting.
Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.
I was fortunate to get the last remaining ticket for this at the New Zealand Film Festival. Ken Loach has done it again. Sorry we missed you is another masterpiece, a fierce, angry and unapologetic film about the zero hour contract and the devastating cost to so many people working in Britain today.
The film tells the story of one family's struggle to regain financial independence whilst working jobs with zero hour contracts and the stress and uncertainty this brings. We witness their family life become more and more toxic as both parents become exhausted and eventually lose their sense of dignity.
Like most of Ken Loaches films it's graphic, brutally honest and difficult to watch at times. but told with real empathy. At one point in the film the lady next to me buried her head in her hands her as she couldn't bare to witness the struggle and humiliation facing the family.
During another scene in the film the whole theatre burst into applause as the wife grabs the phone from her husband out of sheer anger at the way he is being talked to by his unempatheitc boss and gives him a piece of his mind.
The film doesn't end on a happy note, there isn't any way it for it to do so. It simply highlights that for many the struggle is both real and never ending and yet again you leave the theatre feeling upset and angry that such atrocities are allowed to happen.
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