7.5/10
85
1 user

Episode #1.6 

Anna infiltrates the abbey to find her old ally Remigio, William takes part in the main debate but another murder interrupts it, Gui arrests Remigio for the crime despite William's doubts, Adso tries to rescue the peasant girl.

Director:

Giacomo Battiato

Writers:

Umberto Eco (from the novel by), Andrea Porporati (bible by) | 4 more credits »
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Cast

Episode cast overview, first billed only:
John Turturro ... Guglielmo da Baskerville
Rupert Everett ... Bernardo Gui
Damian Hardung Damian Hardung ... Adso da Melk
Fabrizio Bentivoglio ... Remigio da Varagine
Greta Scarano ... Anna
Richard Sammel ... Malachia da Hildesceim
Stefano Fresi ... Salvatore
Roberto Herlitzka ... Alinardo da Grottaferrata
Fausto Maria Sciarappa ... Nicola da Morimondo
Maurizio Lombardi ... Berengario da Arundel
Nina Fotaras ... La Ragazza (as Antonia Fotaras)
Guglielmo Favilla Guglielmo Favilla ... Venanzio da Salvemec (credit only)
Piotr Adamczyk ... Severino da Sant'Emmerano
Tchéky Karyo ... Papa Giovanni XXII (as Tcheky Karyo) (credit only)
Benjamin Stender ... Benno da Uppsala
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Storyline

Anna infiltrates the abbey to find her old ally Remigio, William takes part in the main debate but another murder interrupts it, Gui arrests Remigio for the crime despite William's doubts, Adso tries to rescue the peasant girl.

Plot Summary | Add Synopsis

Plot Keywords:

cat | torture | paper mill | library | book | See All (9) »


Certificate:

TV-MA
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Details

Language:

Italian

Release Date:

18 March 2019 (Italy) See more »

Company Credits

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Technical Specs

Runtime:

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User Reviews

not inspired architecture
24 June 2019 | by KirpianuscusSee all my reviews

The confrontation between Remigio da Varagine and Bernardo Gui is the axis of episode. Two example of good performances. The sin of serie - maybe the architecture. The desire or ambition to give a total serie or a serie for all tastes do not work. Too many "ornaments", to easy game with fragments of novel. The performances are the good tool for support a too simple and baroque construction. But, sure, out of good intentions or nice try, important remains the atmosphere, the texture of clothes, the small details and the paper aspect of church .


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