32 user 10 critic

King Lear (2018)

1:51 | Trailer
An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.


Richard Eyre


Richard Eyre (adapted by), William Shakespeare (based on a play by)
2,160 ( 260)
Nominated for 1 Primetime Emmy. Another 1 win & 14 nominations. See more awards »



Learn more

More Like This 

My Dinner with Hervé (TV Movie 2018)
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A look at the life of French actor Hervé Villechaize, co-star of the hit '70s TV series "Fantasy Island", who took his own life in 1993 at the age of 50.

Director: Sacha Gervasi
Stars: Peter Dinklage, Jamie Dornan, Frida Munting
Lady Macbeth (2016)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

In 19th-century rural England, a young bride who has been sold into marriage discovers an unstoppable desire within herself as she enters into an affair with a worker on her estate.

Director: William Oldroyd
Stars: Florence Pugh, Cosmo Jarvis, Paul Hilton
Brexit (TV Movie 2019)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Political strategist Dominic Cummings leads a popular but controversial campaign to convince British voters to leave the European Union from 2015 up until the present day.

Director: Toby Haynes
Stars: Benedict Cumberbatch, Sarah Belcher, Malcolm Freeman
Hamlet (TV Movie 2018)
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarrying the murderer, his uncle. Meanwhile, war is brewing.

Directors: Robert Icke, Rhodri Huw, and 1 more credit »
Stars: Andrew Scott, Juliet Stevenson, Jessica Brown Findlay
Biography | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

British Liberal Party leader Jeremy Thorpe is accused of conspiracy to murder his gay ex-lover and forced to stand trial in 1979.

Stars: Hugh Grant, Ben Whishaw, Alex Jennings
Short | Comedy
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

The routines and strifes of a disenchanted social media influencer are reimagined with an 18th century backdrop.

Director: Zach Braff
Stars: Florence Pugh, Alicia Silverstone, Knicole Haggins
Outlaw King (2018)
Action | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A true David vs. Goliath story of how the 14th century Scottish 'Outlaw King' Robert the Bruce used cunning and bravery to defeat the much larger and better equipped occupying English army.

Director: David Mackenzie
Stars: Chris Pine, Stephen Dillane, Rebecca Robin
The Seagull I (2018)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

In the early 20th century, an aging actress and her lover visit the estate of her elderly brother.

Director: Michael Mayer
Stars: Annette Bening, Corey Stoll, Glenn Fleshler
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A Palestinian assassin is targeting prominent Israelis. An English actress is recruited by the Israelis to infiltrate the assassin's terrorist cell. This will require all of her acting talents and put her at considerable risk.

Stars: Daniel Litman, Florence Pugh, Michael Shannon
King Lear (TV Movie 2008)
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Sir Ian McKellen gives a tour-de-force performance as Shakespeare's tragic monarch, in this special television adaptation of the Royal Shakespeare Company production of one of the playwright's most enduring and haunting works.

Director: Trevor Nunn
Stars: Ian McKellen, William Gaunt, Philip Winchester
Black '47 (2018)
Action | Drama
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Set in Ireland during the Great Famine, the drama follows an Irish Ranger who has been fighting for the British Army abroad, as he abandons his post to reunite with his family.

Director: Lance Daly
Stars: Hugo Weaving, James Frecheville, Stephen Rea
The Wife I (2017)
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A wife questions her life choices as she travels to Stockholm to see her husband receive the Nobel Prize for Literature.

Director: Björn Runge
Stars: Glenn Close, Jonathan Pryce, Max Irons


Cast overview, first billed only:
Jim Broadbent ... Earl of Gloucester
Jim Carter ... Earl of Kent
Tobias Menzies ... Duke of Cornwall
Emily Watson ... Regan
John Macmillan ... Edmund
Florence Pugh ... Cordelia
Emma Thompson ... Goneril
Anthony Calf ... Duke of Albany
Anthony Hopkins ... Lear
Simon Manyonda ... Duke of Burgundy
Chukwudi Iwuji ... King of France
Karl Johnson ... Fool
Samuel Valentine Samuel Valentine ... Lear's Gentleman
Andrew Scott ... Edgar
Christopher Eccleston ... Oswald


An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

Plot Summary | Add Synopsis


Drama | History


TV-14 | See all certifications »

Parents Guide:

View content advisory »






Release Date:

28 September 2018 (USA) See more »

Also Known As:

King Lear See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:




Aspect Ratio:

16:9 HD
See full technical specs »

Did You Know?


In The Dresser (2015), Sir Anthony Hopkins played an aging actor, preparing to take the stage as King Lear. The movie's Executive Producers were captivated by the idea of Hopkins playing Lear on film, and began to conceive of a direct adaptation of William Shakespeare's play, starring Hopkins. See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Good adaptation; weak central performance
8 June 2018 | by BertautSee all my reviews

The thing about seeing a performance of a part in a play or literary adaptation (or really any acting role) that one comes to regard as "definitive", is that such a performance will have a detrimental effect on one's ability to objectively judge any subsequent performance of that part, as any such performance will necessarily be found wanting. Antony Sher as Richard III in Bill Alexander's 1984 RSC production, Kenneth Branagh as Henry V in his own 1989 film adaptation (Henry V (1989)), Harris Yulin as Willy Loman in David Esbjornson's 2010 Gate Theatre production of Death of a Salesman, Gillian Anderson as Blanche duBois in Benedict Andrews's 2014 Young Vic production of A Streetcar Named Desire, even something like Christopher Lee as Dracula or Marlon Brando as Kurtz in Apocalypse Now (1979). All definitive.

For me, the definitive Lear is a no brainer - Owen Roe in Selina Cartmell's magisterial 2013 Abbey Theatre production. Roe was very much helped by the extraordinarily ambitious direction of Cartmell. However, irrespective of directorial assistance, the scenes on the heath (the so-called "unactable" portion of King Lear), were unlike anything I've ever seen, as Roe alternates, sentence by sentence (!) between a fairly standard (if brilliantly staged) raging at the heavens, and turning directly to the audience and speaking quietly and calmly, almost emotionlessly. Sentence. By. Sentence. Without breaking the metre of the iambic pentameter verse!! Of course, Cartmell's choice here is obvious; the use of two different styles of delivery serve as a succinct visual/aural metaphor for the inner turmoil of the character, but although it's a thematically simple enough device, it requires a performance of immense control to bring it off.

And then we have Anthony Hopkins in writer/director Richard Eyre's TV adaptation for the BBC. Oh dear.

His performance was never going to touch Roe's masterclass for me, but what's especially disappointing is how little interested he seems in doing anything beyond giving the barest essentials in his interpretation of the part.

Having said that, that Hopkins would appear in any filmic adaptation of Lear at all is unexpected. He has played the part before - over one-hundred performances in David Hare's 1986 National Theatre production; a run which was almost immediately followed by over one-hundred performances in Peter Hall's 1987 production of Antony and Cleopatra. Hopkins had been growing disillusioned with theatre acting for some time, and his success in films such as The Elephant Man (1980) and The Bounty (1984) served only to expedite his growing dissatisfaction. Disliking the experience of performing Shakespeare over two-hundred times in the course of two years, and feeling burnt out (who can blame him), after Antony finished its run, Hopkins moved to the US to pursue film acting full time. He has often spoken since about just how much he hated those two years, and how much he grew to loathe Shakespeare, particularly Lear. On his commentary track for Julie Taymor's Titus (1999), he points out that as far as he was concerned, he was done with Shakespeare, until Taymor convinced him to appear in the film adaptation of her own 1994 Theatre for a New Audience production. He also stresses that Titus will most likely be the last time in his life he plays Shakespeare (calling the performance his "swan song"). Obviously, he changed his mind (or Eyre changed it for him), but that he would do so with Lear, of all plays, is decidedly unexpected.

So, with that in mind, what exactly is wrong with his performance? How can someone who played the part over one-hundred times possibly give an under par performance? Well, probably because he played the role over one-hundred times. The performance is lethargic, jaded, lazy, as if it's routine, become so familiar that all meaning has evaporated from the text (similar to when you say a word over and over and it starts to sound strange). Hopkins plays Lear as an easy-to-anger man, used to getting his own way, with little time for sentiment, whose grip on reality is becoming increasingly tenuous. Nothing wrong with that - it's a very basic reading of the character, but still nothing inherently wrong with it. The problem is, we've seen Hopkins play this character before, or a variation thereof, in everything from Legends of the Fall (1994) to Nixon (1995) to The Wolfman (2010). Indeed, his performances in Eyre's Lear is, beat for beat, a virtual carbon copy of his performance in Taymor's Titus. There are many similarities between the characters, to be sure, but not so many that the parts should be played in exactly the same way (as a contrast, look at Brian Cox's performance in the two roles; Titus in Deborah Warner's ground-breaking 1987 RSC production, and Lear in Warner's 1990 National Theatre production - three years, and an ocean of interpretive difference separate the performances).

Hopkins's performance has two gears - scenery chewing and shouty scenery chewing. That's it. Compare the lack of pathos, emotion, or nuance in his performance to, for example, Cox, Paul Scofield (in Peter Brook's 1971 film - King Lear (1971)), Jüri Järvet (in Grigoriy Kozintsev's 1971 film - Korol Lir (1970)), Laurence Olivier (in Michael Elliott's 1983 TV movie for ITV - King Lear (1983)), or Anthony Sher (in Gregory Doran's 2018 RSC production). All of them show more range, and a wider and more complete understanding of the text than Hopkins's one note performance. Also, his tendency to pause in the middle of verse lines is extremely distracting, and completely disrupts the meter. Such pauses serve to create artificial caesuras in the iambic pentameter lines, turning the verse into a bizarre amalgamation of anapaestic and dactylic hexameters, and even heptameters. A stronger director would have stamped this out, or had the actor speak in prose (as a few of the other actors do), but to have the actor speak in verse, but show no respect for the verse is...strange.

Thankfully the rest of the cast are universally strong. And what a cast! Emma Thompson as an especially nasty Goneril; Jim Broadbent as a deeply sympathetic Gloucester; John Macmillan as a soft-spoken Edmund; Andrew Scott as a highly emotional Edgar; Jim Carter as a gruff Kent; soon-to-be-superstar Florence Pugh as a very young and wide-eyed Cordelia; Karl Johnson as a decidedly serious Fool; Christopher Eccleston as a suitably ridiculous Oswald; Anthony Calf as a take-charge Albany; and Chukwudi Iwuji as a considerate France. However, the film is stolen by the work of Emily Watson and Tobias Menzies as an insanely bloodthirsty Regan and Cornwall. Watson's Regan oozes raw sexuality, and the (very graphic) blinding scene clearly turns both of them on. Two terrific performances which left me wishing there was more of them together in the play.

Also impressive is Eyre's direction, although the lack of editing rhythm in the opening scene is a little strange, and the shot composition in places tends to flatten the image, making it seem a little like a filmed play. His decision to set the play in modern London, however, with Lear as a retiring pseudo-dictator, works very well (Edgar is an astrophysicist, Edmund is in the armed forces). In this context, the shopping mall scene is especially well conceived and executed, as a now quite mad Lear wanders around a near-derelict shopping mall in a bad part of town, dressed like a vagrant, pushing a shopping trolley, and talking to a doll. It's a deeply unsettling image that encapsulates perfectly just how far he has fallen. Also well conceived is the scene set in an asylum seekers' refugee camp. The political commentary is a little on the nose, as Lear looks around the camp at the faces of the refugees, forcing him to consider issues of which he's never before conceived, but it's effective, timely and non-intrusive.

So, all-in-all, a strong adaptation with an excellent cast brought down only by a weak central performance. Unfortunately, the part of Lear is so completely central, pivotal, and dominating, that if it doesn't work, there's a problem. Hopkins's performance isn't so bad as to distract too much from the excellent work done elsewhere in the piece, but what's annoying about it is it could easily have been so much better. Mind you, members of the cast have been active on Twitter and the interview circuit for the last couple of weeks talking about how much they loved working with Hopkins, and how tremendous they think he is in the role (oftentimes, going to the set even when they weren't working, just to watch him filming). So, what do I know?

60 of 96 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 32 user reviews »

Contribute to This Page

Free Movies and TV Shows You Can Watch Now

On IMDb TV, you can catch Hollywood hits and popular TV series at no cost. Select any poster below to play the movie, totally free!

Browse free movies and TV series

Stream Popular Action and Adventure Titles With Prime Video

Explore popular action and adventure titles available to stream with Prime Video.

Start your free trial

Recently Viewed