The Suns are a typical Hong Kong family: May, forty something, works for a trading company; her husband, Bing, works as a low-grade civil servant, and Allen, their teenage son, is still at ... See full summary »
"The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly featured in the news for all the wrong reasons.
Hee Ching Paw,
Cheuk Man Au
Ordinary Heroes is a 1999 Cantonese-language film directed by Ann Hui. It was co-produced by Hong Kong and China. It concerns social reform activists in Hong Kong. The film's Chinese title ... See full synopsis »
Anthony Chau-Sang Wong,
Starts at the end of the story, with the brutal murder by a man of his wife and daughters. Hui gradually unmasks the idyll of the peaceful family and that of Hong Kong as the promised land for gold seekers.
Ariel Hiu-Man Chan
The story tells the story of Sun Wukong (Eddie Peng) and Erlang Shen (Shawn Yue), who come to the Immortal Mountain to cultivate their skills. They gain friendship, experience love and ... See full summary »
Somewhere deep in a forest of Bhutan, there is a gathering every twelve years of men and women chosen by the Old Man to enjoy a few days of anonymity. Masked silhouettes participate in ... See full summary »
Yiu-Kwok is a high school teacher, having a perfect family. Good times don't last long, when a student, Choy-Nam, falls in love with him. For dealing with a relationship with Mr. Seng, a ... See full summary »
A young swordsman in 1930's China returns home to try and solve a five-year-old murder case. Described as the third installment of the gangster trilogy that includes "Let The Bullets Fly" and "Gone With The Bullets."
1941. Hong Kong is under Japanese occupation. The anti-Japanese Dongjiang guerilla unit is tasked with rescuing cultural figures and extracting them from the besieged city. Primary school teacher, Fang Lan and her mother are trying to live out this difficult period in a small run-down flat in Wanchai. After the schools are shut down, Lan unwittingly finds herself involved in the guerillas' mission to save novelist Mao Dun. In the process, she meets Blackie Lau, the intrepid sharpshooter captain of the guerillas' Urban and Firearms unit. Taking notice of Lan's calm, smart nature, Blackie recruits her to join the guerillas. Worried for her daughter's safety, Lan's mother volunteers to take Lan's place as a courier, only to be arrested on the job. To save her mother, Lan is forced to turn to Wing, who now works for the Japanese.
A Bit Too Staged, But Good Acting and Interesting Directing Choice
I appreciated this film because of my love for Zhou Xun's subtle, edgy acting style as well as the director's choice to make the 'modern-day' part of the film into a pseudo- documentary starring Tony Leung-Kar-wai. The story itself would have been more touching if the lighting and staging were less vibrant/staged. I'm not sure whether the fakeness of the dialogue and mise-en-scene are intentional, but it turned me off to a film dedicated to a nationally traumatic time for Greater China. It instantly reminded me of pro-CCP propaganda dramas... Shout out to the handsome and very talented two male actors! I had little faith in them but they proved me wrong this time around. :)
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