Critic Reviews



Based on 55 critic reviews provided by Metacritic.com
A terrifying thriller with a surprisingly warm heart, John Krasinski's A Quiet Place is a monster-movie allegory for parenting in a world gone very, very wrong.
A Quiet Place shreds the nerves, but it does so in a way that feels rewarding. You don’t just walk out having experienced a thrill ride, you walk out on a high, the kind of high that only comes from the best horror movies.
The film hits all the necessary beats for a straightforward horror film in an eerie post-apocalyptic setting. But it’s more effective as a portrait of four people who have constructed a deceptively peaceful life under the constant, inescapable threat of death.
Utilizing the pure physicality of a cast you can count on one hand, the movie maintains a minimalist dread throughout, with every footstep or sudden move carrying the potential for instant death.
It'll probably remind you of Jurassic Park mixed with Cloverfield, plus a dash of Aliens and a pinch of Buffy's "Hush," but between its unique approach and gleeful desire to shock you, you can't really be mad at it.
What begins as a smart, effective throwback to simple post-apocalyptic survival stories evolves into a knuckle-biting, chest-tightening thriller that combines old-fashioned character work with the modern efficiency of intensity and dread.
John Krasinski orchestrates a loud and ferocious symphony of sonic scares that will assert A Quiet Place as one of the year's most terrorizing films.
The careful, strategic navigation of silence and noise is the film’s greatest asset, and when it explores this tension, and the way in which it impacts both the characters and monsters, the result is vibrant, urgent, and innovative.
A Quiet Place is a tautly original genre-bending exercise, technically sleek and accomplished, with some vivid, scary moments, though it’s a little too in love with the stoned logic of its own premise.
A Quiet Place is an entertaining and crowd-pleasing monster movie, one that leaves you wanting more—and once you get over wondering what a subtler and more accomplished director might have done with this material, it’s not hard to let yourself be won over by its charms.

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