Michael's skills are put to the test when he attempts to sort out an unprecedented situation. Meanwhile, Chidi makes a connection elsewhere, much to the dismay of Eleanor, while Janet shows a different side of herself.
Because of Chidi's plea on her behalf, Michael has decided to fight to keep Eleanor in the good place. As such, Trevor and his bad entourage are still in the good place for negotiations. Such negotiations are outside of Michael's mentality - he only knowing how to be good and give in to what others want - so he calls in backup in the form of Tahani. Regardless of what Tahani may or may not be able to teach him, it will still have to be Michael who carries out the actions. Meanwhile, the real Eleanor, Chidi, Eleanor, and Trevor go on a double date of sorts, for the real Eleanor to experience what it's going to be like, especially the food, in the good place after being in the bad place, and for Trevor to give Eleanor a taste of what it's going to be like for her with him in the bad place. Especially as the real Eleanor and Chidi are supposed to be soul mates, it also gives Eleanor an opportunity to see what Chidi's time in the good place is really supposed to be, while giving Chidi an ...Written by
To make Kristen Bell look like a high school student she has bangs and braces, a technique classically used by Hollywood. See more »
In the flashback of Eleanor in the high school cafeteria, she references "the whole 'Mean Girls' thing" the popular girl has going on. In the previous episode, The Good Place: Most Improved Player, Eleanor says she was born in 1982, which would place her high school graduation year around 2000. Mean Girls was not released until 2004. See more »
Ugh, I hate jazz. Every jazz song is like 40 minutes long. It's like, we get it. You can blow on a trumpet. Wrap it up, Elton John...
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Michael Schur, the creator, of this PG-13 hellish facade, has a similar concept to those yogurt shops that his world is surrounded by, a bit questionable and a whole lot of fun. The bumpy ride of this train has had its ups and downs, but its potential always outweighs the inadequacies with a soothing mellow tone. The writing is not consistently of A grade quality. Especially, when it has to stroll its viewers for few laughs or tears. The storytelling, that is, the arc or the trajectory of these characters that they are following so hastily is clearly impressive. And the credit goes to the creator whose vision has always stood by him.
Despite the precarious detours, cliched emotional conflicts and seen-this-seen-that flips and turns, the storytelling is thoroughly engaging and catchy. So what is it that makes this under-funded (looking at the production set pieces and visual effects) cheesy teaching-to-the-choir philosophy lectures entertaining? It is the bold decisions that those same writers keeps making. Bold as in, not that they aren't aware of where this might go but it certainly is jaw-dropping, but bold as in, they are challenging themselves immensely.
While as far as the locations are concerned, all they have done smartly is kept the options finite and boundaries shorter in order to break them further as they advance in the series. The challenge is to actually weave out a profound piece of ethical note from the day-to-day conflicts of these characters. Which is how they usually showcase the human-ness of them, no matter how spooky the situation is, or whether they are at The Good Place or the bad place, they would always fight for better sprinkles in their yogurts.
...Someone Like Me As A Member
I love how Adam Scott describes Kirsten Bell's character. Also the writers are well enough to push in the surprisingly and annoyingly soul mate equation. But, the last button who pushes is of course Ted Danson whose not only track but performance too elevates this chapter.
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