Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
The enchanted lives of a couple in a secluded forest are brutally shattered by a nightmarish hippie cult and their demon-biker henchmen, propelling a man into a spiraling, surreal rampage of vengeance.
Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.
Based in Atlanta, Earn and his cousin Alfred try to make their way in the world through the rap scene. Along the way they come face to face with social and economic issues touching on race, relationships, poverty, status, and parenthood.
Brian Tyree Henry,
Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
An Irish sports journalist becomes convinced that Lance Armstrong's performances during the Tour de France victories are fueled by banned substances. With this conviction, he starts hunting for evidence that will expose Armstrong.
In an alternate version of Oakland, Cassius Green gets a telemarketing job and finds the commission paid job a dispiriting struggle as a black man selling to predominately white people over the phone. That changes when a veteran advises him to use his "white voice," and the attitude behind it to make himself more appealing to customers. With a bizarrely high-pitched accent, Cassius becomes a success even as his colleagues form a union to improve their miserable jobs. Regardless, Cassius finds himself promoted a "Power Caller" selling the most morally abhorrent but lucrative products and services as his connection to his girlfriend and colleagues fades away. However, Cassius' conscience arises anew as he finds himself in the midst of his boss' bizarre world of condescending bigoted decadence and his sinister plans to create the perfect subservient work force with Cassius' help.Written by
Kenneth Chisholm (email@example.com)
So it says here that you were manager of the Rusty Scupper restaurant for five years. And then a bank teller at Bank of Oakland between 2014 to 2016. Oh, and you were employee of the month! What's that trophy in the bag there?
Oh, Oakland High moot court champion. I'm a salesman at heart.
*That* is intriguing. Mainly because I was the branch manager at the Bank of Oakland between 2014 and 2016, and you, Mr. Green, you never fucking worked there.
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Wow, there are a lot of people who don't like this movie, and moreover, seem to mad that others like it. Some samples:
"I think people who are giving it high praise believe that's just what their supposed to do but the fact is it's just a dumpster fire of a movie."
" I RARELY write movie reviews but had to inform people of the facts on this one."
"The positive reviews are from movie snobs who think they are smarter than everyone else and recognize brilliance in pure garbage."
You get the point. It's almost like we're all supposed to like all the same things now. (In fairness, there were plenty of other reviewers who didn't like it, but said they're glad others enjoyed it.
I'm not a movie snob. I'm not a film executive and I have nothing to do with the film except I paid 6 bucks to see it last Tuesday. This is a very surreal satire. It won't be to everyone's liking, but it seems to me that we are getting more and more confused about the difference between fact and opinion. It's not a fact that this movie sucks, any more than it's a fact that this movie is great. These are classically opinions.
Me, I like movies that start sort of pseudo-normal and go into bizarre. This is right up my alley. It's a Repo Man for our generation. Genetic engineering, dead end call center jobs, megalomaniacal Bay Area billionaires trying to save the world, race relations and post-postmodern art commentary. It's all painted in a crazy, bigger-than-life science fiction brush. Yeah, it's weird as hell, and maybe ends a little weakly (Monty Python and the Holy Grail, anyone?) but has a method in its madness.
If you don't like absurdist humor, or if you don't like movies that are at least semi-overt political statements (especially if the political statement is opposed to yours. Anti-union, pro-business capitalists with short fuses be warned! You should give it a miss and just read the National Review's Ross Douthat's review. He saved you a lot of time worrying your beautiful mind about it.), and if you don't like a dollop of science fiction every now and then, yeah, you're going to probably hate it.
But your opinion is still not fact. I liked it. That's my OPINION. Get over it.
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