Since the early days, Jerry Lewis - in the line of Chaplin, Keaton and Laurel - had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was...
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She fought the Indians alongside Custer, witnessed the birth of Deadwood and was close friends with Buffalo Bill. She was the terror of the plains, the outrage of the saloons, the oddest of... See full summary »
James D. McLaird
In Jerry Lewis's first film in a decade, he plays Bo Hooper, an unemployed circus clown who can't seem to hold down a job. The film opens with a brief montage of clips from past Lewis ... See full summary »
A jazz pianist makes a discovery days before the death of his wife that causes him to believe his sixty-five year marriage was a lie. He embarks on an exploration of his own past that brings him face to face with a menagerie of characters from a bygone era.
Sidney Pythias is a bumbling janitor picked up by cop Mike Damon as a teenage gang member worth saving from delinquency. With Damon's help, Sidney works his way through the Police Academy to become a cop too.
With his naïve air, his rangy and reassuring silhouette, the first one symbolizes success, someone who everybody wants to look like. When they shared the poster of the 'Big sleep' in 1978, ... See full summary »
Since the early days, Jerry Lewis - in the line of Chaplin, Keaton and Laurel - had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor. By becoming a "total filmmaker," Lewis surpassed expectations as a comic performer and emerged as a driving force in Hollywood. He broke boundaries with his technical innovations, unique voice and keen visual eye, even garnering respect and praise overseas. However, American critics and the cultural elite tended to reject his abrasive art. While they viewed Lewis as nothing more than just a clown, others like the French recognized him as a true auteur, giving rise to questions that have perplexed American pop culture for ...
Being a Telethon host for so many years obscured Lewis's colorful career. Regretfully the American audience had to wait for the comedian's late years to rediscover his work. Better late than never. I have to agree with Marty (Scorsese) when he says that the french adoration became a kind of joke in the US, but hey, I got news for you, the french were doing the right thing. Did Americans missed their rendezvous with Jerry Lewis ? Feels like they did once the end credits appears on the screen. Whether you like Lewis or not you cannot deny this film is a "Must See". From the very first minutes it grabs you until the very (moving) end "NO SPOILERS" here. You'll laugh out loud, with nostalgia you'll remember your childhood, you'll enjoy, you'll learn a great deal of the french view point. All in all you'll feel dizzy but fulfilled with so many great footage, but Gregory Monro does better in one hour than any other film has done previously. During one of his Q&A the french filmmaker said he made it with "heart and passion". That quote might just sum up "The man behind the clown", a passionate yet joyful documentary on the great Jerry Lewis. Yes our Jerry.
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