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Viceroy's House (2017)

Not Rated | | Biography, Drama, History | 1 September 2017 (USA)
2:16 | Trailer
The final Viceroy of India, Louis Francis Albert Victor Nicholas Mountbatten, 1st Earl Mountbatten of Burma (Hugh Bonneville), is tasked with overseeing the transition of British India to independence, but meets with conflict as different sides clash in the face of monumental change.


Gurinder Chadha


Paul Mayeda Berges (screenplay by), Gurinder Chadha (screenplay by) | 4 more credits »
1 win. See more awards »



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The Story of the last viceroy of India, Lord Mountbatten

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Cast overview, first billed only:
Hugh Bonneville ... Lord Louis Mountbatten
Gillian Anderson ... Lady Edwina Mountbatten
Manish Dayal ... Jeet Kumar
Huma Qureshi ... Aalia Noor
Michael Gambon ... Lord Lionel 'Pug' Ismay
Om Puri ... Ali Rahim Noor
David Hayman ... Ewart
Simon Callow ... Cyril Radcliffe
Denzil Smith ... Muhammad Ali Jinnah
Neeraj Kabi ... Mahatma Gandhi
Tanveer Ghani ... Jawaharlal Nehru
Lily Travers ... Pamela Mountbatten
Jaz Deol ... Duleep Singh (as Jaskiranjit Deol)
Arunoday Singh ... Asif
Roberta Taylor ... Miss Reading


New Dehli, India, March 1947. The huge and stately Viceroy's Palace is like a beehive. Its five hundred employees are busy preparing the coming of Louis Francis Albert Victor Nicholas Mountbatten, 1st Earl Mountbatten of Burma (Hugh Bonneville), who has just been appointed new (and last) Viceroy of India by Prime Minister Clement Attlee. Mountbatten, whose difficult task consists of overseeing the transition of British India to independence, arrives at the Palace, accompanied by Edwina (Gillian Anderson), his liberal-minded wife and Pamela (Lily Travers), his eighteen-year-old daughter. Meanwhile, in the staff quarters, a love story is born between Jeet Kumar (Manish Dayal), a Hindu, and Aalia Noor (Huma Qureshi), a Muslim beauty. Things will prove to be difficult, not to say very difficult, on the geopolitical and personal level. Written by Guy Bellinger

Plot Summary | Add Synopsis


The end of an empire. The birth of two nations. See more »


Not Rated | See all certifications »

Parents Guide:

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UK | India | Sweden


English | Arabic | Punjabi | Hindi

Release Date:

1 September 2017 (USA) See more »

Also Known As:

Viceroy's House See more »

Filming Locations:

Jodhpur, Rajasthan, India See more »


Box Office

Opening Weekend USA:

$48,134, 3 September 2017

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

Dolby Digital


Color | Black and White (newsreel archive footage)

Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


This movie is based broadly on real historical events, with added fictional personal and romantic dramatic elements. The main events take place in 1947, with further textual and visual references to historical events in 1948 to 1950. See more »


Hugh Bonneville sounds nothing like Louis Mountbatten, who spoke in an accent unique to the British royal family and members of the aristocracy. Gillian Anderson's accent as Lady Mountbatten is more accurate. See more »


Ewart: It's worse than Glasgow on a Saturday night!
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Referenced in Adelaide's Silver Screens (2017) See more »


For A Good Catch
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User Reviews

A love film, with an exceptional performance from Gillian Anderson. Well worth seeing
16 March 2017 | by StootomlinSee all my reviews

This is a lovely film.

This is a quintessentially British film. Another piece in our seemingly unending historic jigsaw puzzle. Trying to chronicle our imperial past, without the constant need for self-flagellation.

The film is set in the Viceroy's House in 1947, during the partition of India. This was obviously shortly after the end of the second world war. When millions of Indians had stood with the British on the battlefields of Europe, in our fight against the Germans. It was now our turn to return the favour, and give India, back to the Indians. It also didn't help that we didn't have the resources to hold on to India anymore, and everyone involved knew it. This meant that the factions within India were no longer scared to make demands.

This is a strong and important story, one, which is rarely told, or taught here in the UK, and it really should be. We need to understand our mistakes, so we're less likely to repeat them again in the future. We also need to understand what we did right, and learn from those decisions as well.

There are a number of good, solid performances here. Hugh Bonneville plays Lord Mountbatten without fault. He comes across as charming, and typical of the fighting aristocracy of the time. He cared about his legacy. He cared about doing what was right. Most importantly, he cared about India, her people, and its long-term future.

Michael Gambon plays General Ismay, an archetypal, political pragmatist. He doesn't care about India. He isn't really interested in her people. He only cares about Britain, and its future.

We also have an ongoing love story between Jeet Kumar, played by Manish Dayal, who's a former policeman and a Hindu, and Aalia Noor, played by Huma Qureshi, who works at the Viceroy's House and is a Muslim.

The love story is used to help the viewer understand the deeply entrenched division between the religions at the time (although let's be honest they haven't improved much since). The film doesn't really mention the Indian cast system, but in real life that didn't help the situation either. It also gives a story, set at the highest levels of government, a more human feel.

A special mention needs to go to Gillian Anderson. Her performance as Lady Mountbatten is wonderful. Many will be shocked that Anderson actually has an English accent, but she has spent a large amount of her life this side of the pond. However, her accent here was a real surprise. The received pronunciation was perfect. It was as if she were the Queens little sister. Her character adds heart, she adds a moral core, to both Lord Mountbatten, and in my eyes, to the film in general. I was impressed to say the least how beautifully she slipped into the role.

I would also like to mention the fact that Gillian Anderson appears to be getting better looking with each passing year. It's as though she stole Dorian Gray's picture, and had it repainted with her own portrait. If she carries on this way, by the time she's 80 her beauty will be so unbelievable, it may very well start a new religion.

Not only is she becoming more beautiful, but her acting ability seems to improving with everything performance. It's getting to the point where I will watch anything she's in, just to see her. I'm just hoping someone gives her the roles she deserves to show that she can be this generations Meryl Streep, or Katherine Hepburn. I genuinely think she is capable of hitting those heights.

All in all, this is a well-cast, well-acted, well-written film with beautiful production values. Visually it's stunning. The buildings used, the props, the costumes, everything looks wonderful. There are some cleaver uses of photo-video cuts. It also uses historical footage nicely.

This has to be Gurinder Chadha's biggest film since Bend it like Beckham, and if this is the level that she's working at now, then I'm really looking forward to her next project.

If you're a fan of historical drama, or just good old fashioned colonial history, then give this film a chance. It may open your eyes to some history to weren't taught at school, and you'll also be able to enjoy a rather charming film.

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