Critic Reviews



Based on 14 critic reviews provided by
Though clearly not a proposition for either devout Christians or audiences for whom the multiplex is a temple, this is the kind of take-no-prisoners art house fare that advances and deepens the understanding of a singular director’s oeuvre as a whole.
Village Voice
Though full of mysteries, and, like all of Rodrigues’s work, consistently unpredictable from scene to scene, The Ornithologist may be the director’s most conventional narrative.
Mind-blowing in the best possible way, The Ornithologist may not work for everyone, but those willing to embrace its puzzling ingredients will find a rewarding solution: further confirmation of a genuine film artist.
The Ornithologist is deliciously subversive and genuinely funny.
There are times during João Pedro Rodrigues’s newest film, The Ornithologist, wherein you can’t tell if it’s all a big sexy joke or if it’s an earnest, religious and intellectual inquiry into the boundaries of spiritual and physical adventure. There’s enough evidence in the argue that it’s both.
It’s clear the film may be a goof on Rodrigues’ part, but good thing it’s at least funny enough to not just sustain, but build its laughs to the very end.
It's a film swimming in symbolism, transgressive eroticism and perplexing details that will infuriate some audiences but for others will add to its irresistible allure.
The Ornithologist is so stunningly strange and out of its time that this slow and deliberate film holds your attention, making you wonder what wonder or calamity will befall Fernando next.
Mr. Rodrigues ultimately delivers an intriguing, daring film that is likely to surprise both his fans and moviegoers unfamiliar with his work.
Perhaps The Ornithologist lends itself so well to scholarly unpacking because it has too little of its own to offer. Maybe it’s healthier to just enjoy the light bouncing from the water to Hamy’s abs.

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