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Gour Hari Dastaan: The Freedom File (2015)

1:30 | Trailer
The film tells the dramatic tale of two generations locked in a see-saw battle- one extolling values, the other groping in the dark.





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Cast overview, first billed only:
Vinay Pathak ... Gour Hari Das
Konkona Sen Sharma ... Lakshmi Das
Ranvir Shorey ... Rajiv Singhal
Tannishtha Chatterjee ... Anita
Deepak Saksule Deepak Saksule ... Alok
Vikram Gokhale ... Chief Minister
Vipin Sharma ... Ahirkar
Rajit Kapoor ... Mohan Joshi
Saurabh Shukla ... Special Secretary - Freedom Cell
Asrani ... Khadi Commission Boss
Siddarth Jadhav ... Tout (as Siddharth Jadhav)
Mohan Kapoor ... Doctor
Viju Khote ... Grocer
Neha Pendse ... Das's Daughter-in-Law
Manish Bharati Manish Bharati ... Freedom Fighter


Gour Hari Das, a freedom fighter who works in Khadi Kraft and lives along with his wife & son, lives a content life in his neighborhood. However, one day when his son is unable to secure college admission for lack of a Freedom Fighter's Certificate, he feels the need to establish his identity. In the quest for this piece of paper to prove his authenticity to his son, his neighbors & to the world, he begins a journey that sucks up almost his entire life. Written by PipingHotViews

Plot Summary | Add Synopsis

Plot Keywords:

freedom fighter struggle | See All (1) »


The Freedom File


Biography | Drama


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Release Date:

14 August 2015 (India) See more »

Company Credits

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Technical Specs



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Did You Know?


Das's answer to a question during an interview after the film was released.

How do you keep yourself occupied. I work as a Special Executive Officer (earlier Magistrate) and attest copies of original documents. I only charge for the ink I use. I'm a life member of an NGO - National Anti-Corruption and Crime Prevention Council (NACCPC), along with Mohan Krishnan. Besides, I'm involved in social work and out of my Rs 10,000 pension amount, I donate Rs 8,000 for social causes like treatment of children suffering from cancer, old age home, religious institution, etc. See more »


Around 0:30:30 during a flashback scene of 1982, when Hari Das' family were shifting their home, several modern day vehicles, such as Wagon R, Maruti Swift, Eon, etc. that did not exist back then, are seen to pass by their luggage lorry. See more »


Rajiv Singhal: Being married to a feminist is surprisingly difficult. They need rights to. half of the things. And if not, it necessarily leads to a "Female Liberation Movement".
See more »


Features America's Got Talent (2006) See more »

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User Reviews

Subtle, nuanced and important viewing for the everyday Indian.
16 August 2015 | by Krishna_SriramSee all my reviews

In a highly attention deficit generation of Indian cinema, Gour Hari Dastaan manages to stand out by being down-to-earth and unpretentious. Here is a film that silently pulls you into a relationship of engagement, rather than by being loud and calling attention to itself. The heavy subject matter is brilliantly contrasted by the contextual humour that results from the relationship between Gour Hari Das, the protagonist, and Rajeev Singhal, the jaded but supportive journalist who tries to bring his story to the eyes of the public through the newspaper, Mid-Day.

This is really a film of contrasts, between the India of the Raj and contemporary India. The characters are archetypal metaphors for the differences in thoughts between the older generation and the new. In a rapidly accelerating country, this is an important dialogue to be had. 'Gour Hari Dastaan' manages to raise these questions by allowing the audience to use its intelligence to navigate the thoughts, desires and beliefs of its characters - it reveals the complexity of India as a nation, exposing its stifling bureaucracy.

The cinematography by Alphonse Roy carries the story beautifully, highlighting the contrasts between the two India's that are shown in the film. Having been shot on film, the accurate skin tones with the right amount of detail as well as the limited color palette make this a new landmark in contemporary Indian cinematography. Mr. Roy's breathtaking, classical European cinematography combined with beautiful locations and the beautiful production design brings out the beauty of Ye Olde India.

The risk of not using a regular 'filmy' soundtrack with songs and dances has resulted in a tight, focused screenplay and direction. Mr. Ananth Mahadevan does an excellent job at bringing out regularly recurring themes onto the screen, moving the story towards the right direction and keeping the audience engaged with the characters' goals.

The casting is downright excellent. Vinay Pathak delivers as Gour Hari Das, the purist freedom fighter who slowly and quietly fought for his right. Ranveer Shorey is convincing and humorous as Rajeev Singhal, and pulls off the cynical journalist archetype. Konkona Sen Sharma does the job of being the wife of Gour Hari Das, though ardent fans might have wished for more screen-time for her character. The focus is on believability as the screenplay is based on a true story.

God bless this film to receive the accolades and recognition that it deserves. The level of success of this film will reflect on us as the audience, whether we are interested in addressing the state of the country.

Coming back to the question again, was the India of yesteryear better than the India of today?

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