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In 1964, while on a short trip to Paris, the American writer and art-lover James Lord (Armie Hammer) is asked by his friend, the world-renowned artist Alberto Giacometti (Geoffrey Rush), to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of an offbeat friendship, but, seen through the eyes of Lord, an insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. FINAL PORTRAIT is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity. It is a film which shines a light on the artistic process itself, by turns exhilarating, exasperating and bewildering, questioning whether the gift of a great artist is a blessing or a curse.
The film had its world premiere at the Berlin International Film Festival on February 11, 2017. See more »
In 1964, I was a young writer living in Paris. I had written a few articles about Alberto Giacometti, who was one of the most accomplished and respected artists of his generation. I had become good friends with Giacometti and his brother, Diego. And one day, after an exhibition, he asked me to sit for a portrait. He told me it would take no longer than two to three hours. An afternoon at the most.
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Luckily this movie isn't that long because there isn't that much story. But nevertheless it's interesting for a look a the creative process of one of the most famous sculptors in the world. This isn't a sweeping biopic of the artist's life just a segment.
Geoffrey Rush is effective as the sculptor trying to paint a painting and starting over and over again. His subject is an art critic played by Armie Hammer who looks elegant as he poses in his suits. Clemence Poesy plays a prostitute mistress of Giacometti.
Worth a watch if you are interested in Giacometti.
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