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Shin Godzilla (2016)

Shin Gojira (original title)
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Japan is plunged into chaos upon the appearance of a giant monster.

Directors:

Hideaki Anno, Shinji Higuchi (co-director)

Writers:

Hideaki Anno, Sean Whitley (english version)
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Popularity
3,269 ( 731)
13 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hiroki Hasegawa ... Rando Yaguchi
Yutaka Takenouchi Yutaka Takenouchi ... Hideki Akasaka
Satomi Ishihara ... Kayoko Ann Patterson
Ren Osugi ... Prime Minister Seiji Okochi (as Ren Ôsugi)
Akira Emoto Akira Emoto ... Ryuta Azuma
Kengo Kôra Kengo Kôra ... Yusuke Shimura, Deputy Chief Cabinet Secretary
Mikako Ichikawa Mikako Ichikawa ... Hiromi Ogashira, Deputy Director of Nature Conservation Bureau
Jun Kunimura ... Masao Zaizen, Integrated Chief of Staff
Pierre Taki ... Saigo, Combat Leader
Kyûsaku Shimada ... Katayama, Minister of Foreign Affairs
Ken Mitsuishi Ken Mitsuishi ... Kozuka, Governor of Tokyo
Shingo Tsurumi ... Yajima, Joint Staff Deputy
Kimiko Yo ... Reiko Hanamori, Defense Minister
Takumi Saitoh ... Ikeda, Tank Captain (as Takumi Saitô)
Takashi Fujiki Takashi Fujiki ... Tokyo Lieutenant Governor
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Storyline

An unknown accident occurs in Tokyo Bay's Aqua Line, which causes an emergency cabinet to assemble. All of the sudden, a giant creature immediately appears, destroying town after town with its landing reaching the capital. This mysterious giant monster is named "Godzilla".

Plot Summary | Add Synopsis

Taglines:

A god incarnate. A city doomed. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan

Release Date:

29 July 2016 (Japan) See more »

Also Known As:

True Godzilla See more »

Filming Locations:

Tokyo, Japan

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Box Office

Opening Weekend USA:

$458,342, 16 October 2016

Gross USA:

$1,918,403

Cumulative Worldwide Gross:

$78,048,505
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital (3.1)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Godzilla was portrayed in motion capture by Mansai Nomura, a Kyogen (traditional Japanese comic theatre) actor. To realize Godzilla's slow movements, a 10-kilo weight was strapped behind him, and he incorporated the technique of the traditional Japanese dance into his performance. See more »

Goofs

Godzilla's color changes slightly throughout his first attack. See more »

Quotes

Yusuke Shimura, Deputy Chief Cabinet Secretary: When was the last time you changed that shirt?
Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: To be honest, your shirt smells pretty rank.
Rando Yaguchi: Really?
Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: A shower and a change of clothes wouldn't hurt.
See more »

Crazy Credits

The Toho logo appears as the 1950s color version to homage Godzilla (1954)'s era.

Godzilla's stomping and roar is heard, which also happened in Godzilla (1954). See more »

Connections

Follows Rodan (1956) See more »

Soundtracks

Main Title
Composed by Akira Ifukube for "Godzilla" (1954)
See more »

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User Reviews

 
No escaping a god incarnate
4 August 2017 | by kevinxirauSee all my reviews

After waiting for a whole year, I finally got my hands on the award-winning Japanese film "Shin Godzilla", directed by Hideaki Anno (Evangelion) and Shinji Higuchi (live action Attack On Titan). With the praise this film got, did it live up to the hype for me? Yes and to an extent no.

The film is a modern-day remake, showing how would the Japanese government (and to an extent other governments) react if Godzilla showed up for the first time today. This film is one of the more politically-charged entries in the franchise and is more of a thriller than a straight-up monster movie. There are lots of characters, a majority of which don't have much personality, but the main ones like protagonist Rando I found myself latching on to. Some the best scenes are when the characters stop acting like politicians and have casual and occasionally humorous dialogue. At least they took the whole situation very seriously with rarely an over-the-top moment much like the 2014 film, a breath of fresh air within the franchise. There's also this mystery element that plays a huge part in the story which I liked very much. Just as the 1954 film was a metaphor for Hiroshima and Nagasaki, this one reflects the Fukushima meltdown as well as the tsunami and earthquake Japan suffered a few years back (goes to show that Godzilla will always find a way to stay relevant).

How does Big G himself hold up? Pretty good. His design is more-or-less an update of his original 1954 look, his skin looking like radiation scars. New to the series is that Godzilla EVOLVES throughout, starting out smaller and very odd-looking but growing larger, more powerful, and even smarter as the story progresses, making him unpredictable. I also enjoyed the exploration of his biology, that is how this creature could exist. My complaints fall under a few things, strictly on his main form: his arms are too small and he isn't very expressive, mostly just lumbering along in a straight line. When he does gets mad, however, that's when he really shines. The action scenes are entertaining enough and there's plenty of destruction featured with some surprising moments here and there. The special effects are largely CGI with elements of practical effects, both of which are good; Big G isn't a man in a suit this time (kinda disappointing) but rather motion capture, though there are a few well-done miniatures. Some sound effects are of the old era and the music is a mix of the original's by Akira Ifukube with some new ones by Shiro Sagisu, a lovely combo. There's even a track from Evangelion (Decisive Battle).

My favorite scene: The first time Godzilla uses his atomic breath. Set at night with a mournful choir singing in the background (w/ English lyrics), the suspense that builds to the monster unleashing his power and rage upon the world was epic, chilling even, and has tremendous payoff. It's a truly apocalyptic image.

There are a few issues to address. I admit the pacing isn't the best. The beginning particularly has some rapid editing and there are texts on the screen throughout (often naming a character and political position) that are quite distracting and take getting used to, though I suppose you're supposed to feel as rushed as these politicians. Also, there's a huge gap before the climax where there's no action going on that I honestly think the filmmakers should have cut down a little. I like the characters and what's happening to them, but I would have preferred for the film to cut to the chase a bit.

Overall, this movie has its faults for sure, but I'm still glad I saw it. It was an interesting twist to my favorite fictional character. More films in both Japan and America are on the way and I can't wait. Long live the King of the Monsters!


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