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Two new students at nearby Belmont University, Ryan and Molly, meet the first day of classes and become study partners. The Bridge, a local bookstore, becomes a close part of their lives as their relationship grows.
Documentary about the moviestar's last months including her tumultuous love affairs, drug and alcohol dependency, depression and eventual firing from her final film, 20th Century Fox's "... See full summary »
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
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Robert De Niro,
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Eva Amurri Martino,
MM is a tough subject, clouded by 50 years of conjecture, misinformation and the subject's own spin and inconsistency.
That said, after 50 years of tireless reading and watching every foot of available film concerning MM, this is the first commentary worth viewing and rumination. There is something uncanny about Ms. Garner's portrayal and it matters little whether or not she looks like MM or not. No one will ever 'look' like Monroe anymore than anyone will 'look' like Abe Lincoln. She had the depth of character, the attitude, the walk and most importantly, the vocal cadence. Emily Watson and Susan Sarandon steal the show as they would wont to do in a project of this nature. However, Garner holds her own.
Robert Mitchum said it best about his friend and coworker when he said that Marilyn's biggest mistake was that she "burlesqued it", and burlesque was a slippery slope in Hollywood at that time. Monroe played burlesque so well, people believed it. Unfortunately MM was probably not equipped to withstand the foul misogyny that went along with post war attitudes toward any woman who was not properly corseted and house dressed, into submission.
If MM wouldn't have conjured the wherewithal to crack the studio system in 1950, she'd have ended up a depressed and divorced house wife in the Valley, with a mentally ill mother to support. For those of us who have dealt with mental illness in the family, this show is treading on new ground. That is the zeitgeist that Garner and Sarandon nail. MM was a fish out of water, which is the reason why we are all mesmerized to this day. For better or for worse she was her own woman, with no peer, before or since.
It is also worth mentioning that the costumes, makeup and set designs are spot on. The dreamy and disconcerting saturated colors and Noir lighting become good compliments to the spirit of the production and add good tension.
Kudos to Garner who did her homework and made this old MM aficionado squirm in his seat a few times, for all of the right reasons. DiMaggio probably said it best, by saying nothing and letting his actions do the talking.
Not perfect but well worth taking in, and a huge step forward from the usual Lifetime tripe.
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