An in-depth portrait of MANOLO BLAHNIK, self-confessed 'cobbler' and the man regarded by most influential fashion figures as 'the best shoe-maker of the 20th and 21st centuries. A film for ... See full summary »
DRIES - an intimate Portrait of the Fashion Designer Dries Van Noten. This film offers an insight into the life, mind and creative heart of a Master Fashion Designer who, for more than 25 ... See full summary »
Follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.
Carmen Herrera is one of the oldest working artists today. She was a pioneering abstract painter in the '40s and '50s, but only recently found the recognition that eluded her for most of her career, as she approaches her 100th birthday.
Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture ... See full summary »
From the producers of 'Bowling for Columbine', 'Fahrenheit 9/11' and 'Generation Iron' comes 'The Hurt Business' which examines the rise of mixed martial arts fighting through the eyes of today's top stars.
Jeremy Scott's 'country boy done good in the city' tale doesn't have too many surprises. He was a gay kid from the Midwest, was bullied in high school but his supportive family sent him back east to go to fashion school. He had some hard knocks and lucky opportunities come his way and by the time he was 35 he was internationally famous and would soon be offered the position of creative director at Moschino.
Scott comes across as a humble, laid back guy who doesn't take himself too seriously, but you can see through the cracks that he is actually very self-aware and ambitious. He reads the critiques of his shows but fluffs off those who don't like what he has done as their problem because they didn't 'get it'. What Scott seems to not see is that a $40.00 Tee shirt is not the same thing as a $20,000 gala gown, and his products are not just for Rihanna, Katy Perry, and Mylie Cyrus.
As a film, its a bit too long and a bit redundant - I didn't need to see Scott rummage through his grandmother's fabric bag, or try to get cows back into a field, but despite this you are rooting for him and its hard not to like him. I hope he realizes there is more to fashion than just novelty prints and ripping off Chanel...
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