Told from Igor's perspective, we see the troubled young assistant's dark origins, his redemptive friendship with the young medical student Viktor Von Frankenstein, and become eyewitnesses to the emergence of how Frankenstein became the man - and the legend - we know today.
Jessica Brown Findlay
In a room with no windows on the eastern coast of Africa, a Scotsman, James More, is held captive by jihadist fighters. Thousands of miles away in the Greenland Sea, Danielle Flinders ... See full summary »
Following the death of their only offspring, an infant son named Cody, married New Yorkers Conor Ludlow and Eleanor Rigby - a struggling restaurateur and an academic working on her Ph.D. in Anthropology before Cody arrived in their lives - hit a rough spot in their relationship. Although still loving Conor, El is uncertain if she can bear what Conor represents to her and bear the grief even if Conor is no longer in her life. Following an incident, El decides to disappear from Conor's life, she taking refuge at the suburban home of her parents Julian and Mary Rigby, an academic himself and a musician respectively. Just to keep her mind active and off the thought of Conor or Cody, Julian suggests to El that she return to college and he pulls some strings for El possibly to enter into his colleague Professor Lilian Friedman's class. Despite being a therapist himself, he also tries to get El to see a therapist to deal with her grief. Meanwhile, Conor is facing his own emotional and ...Written by
Ned Benson has woven an Intriguing Exploration of a couple after a tragedy, and it's Great for a debut feature.
The first time we see the couple (the first scene), they are so much in love. The scene is filled with fun, excitement, and such passionate love for each other; we are easily drawn into that magical moment of theirs. The next time we see these people, it's like their lives have taken a right about turn. Something terrible has occurred in their life, we don't know what exactly. The movie as well as the characters try their best to keep away from that topic (people who have read about the movie might know what has happened, I don't want to spoil it for others). Although the path has been tread before, Ned Benson has woven an intriguing exploration of a couple after a tragedy, and it's great for a debut feature.
When something terrible happens in our life, the two things we usually tend to do are: trying our best not to remember it. If we do remember, we try to find a close person around on whom we can shift all the blame and direct all our hatred. The best thing we can do is, accept the situation, and let time take over and do its trick.
The topic has been dealt with time and again, in movies as well as novels. With a little more depth, the characters might have been more intriguing. Nonetheless, I was still interested in their lives, and the beautiful one-on-one scenes in the second half were really engaging and emotional. These characters pour their hearts out, either to let it out (and lessen the burden on their mind) or to make the other person feel better. The one which really stands out is the one in which William Hurt (as Eleanor's father) shares an old traumatizing memory with her, involving her; the monologue transports us to the actual place of the event, and we can see the agony in his eyes.
The acting by the two leads, Chastain and McAvoy, is brilliant; it's the emotional backbone of the film. Their eyes have such sorrow; though we know so less about the situation, we are intrigued by what has happened. The sometimes-fun-sometimes-supportive characters played by actors like William Hurt, Isabelle Hupert (it was amazing to see this French talent as Eleanor's mother in this film), Viola Davis, Bill Hader, Jess Weixler and Ciarán Hinds are interesting; their presence makes the story more appealing. I wish the characters were developed a little more; I don't know if the Him-Her version has more depth or not, I'm yet to see it.
The ending might baffle or annoy some, but to me, it was different and delightful. It conveyed the message it intended to, and the background music by Son Lux was just perfect for it.
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