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Queen is a movie about growing up. Rani (Kangana Ranaut) is a Delhi girl from a conservative family who is ditched by her fiancé just before her wedding. Shocked by this, she decides to set out on the planned honeymoon alone. As she travels the world and meets new people, she gains new experiences and discovers her own identity.Written by
Remake of producer Deepa Sahi ' s completed and unreleased film " Phir Zindagi". Starring Milind Soman, Gul Panag. Directed by Parvati Balagopalan. Vikas Bahl saw the film in a trial showing and remade it as Queen. Phir Zindagi has been completed and unreleased for 10 years. See more »
When Kangana is leaving from New Delhi to Paris and is seated in the airplane, there are 3 shots of the airplane from the outside and in each of the three shots the airplane model changes from an Airbus A320 to an Airbus A330 to an Airbus A380. See more »
[Calling Rani from India]
What have you been up to?
I'm watching television.
If you wanted to just watch television, why go so far?
See more »
The End Credits show Rani's experience of her "honeymoon" like a Facebook timeline. See more »
The UK release was cut, the distributor chose to remove an aggressive use of strong language ('motherf**ker') in order to obtain a 12A classification. An uncut 15 classification was available. See more »
Wanna experience a hot air balloon ride? If not literally, Vikas Bahl's 'Queen' will surely give you the feel! This one too takes off after fire of strife but gradually zooms up in the air higher and higher, all liberated from the shackles of earthly rules and grief. 'Queen' is a journey of discovering oneself. Simply put – "When things go wrong, cry not; gather your guts, not just move over but fly!". A more detailed analysis follows:
Plot: The plot resembles Gauri Shinde's 'English vinglish' in its theme but it is the execution and premises which makes 'Queen' more exuberant. While the former was poised and mature, this one is raw, yet sensitive, sensible, effervescent, all at the same time. How an otherwise banal story on paper could become so entertaining on-screen, only Bahl can tell. He injected the same positivity in his debut venture 'Chillar party' earlier. Another endearing fact is the handling of 'haww'-type (by Indian sanskriti standards) cheeky humor gracefully enough to make it watchable with family. Dialogues by Anvita Dutt and Kangana (yes, she has contributed here too) are pertinent. Despite lot of French and little Japanese here & there (with no subtitles), you don't mind as the situation and emotions say it all. Dilliwali Punjabi lingo, though, adds credibility. Heartiest congratulations to Anurag Kashyap and Vikramaditya Motwane for shelling put money for such a cinematic delight!
Cast: It is out and out Kangana's film, with all others in supporting role. Bahl is believable in saying he penned Rani's role keeping only her in mind. No other actress would have better lived the vulnerability, innocence, craziness, elegance and emotions of Rani, the way Kangana did. This movie will definitely mark as a milestone in her career and give all reasons to other filmmakers to look beyond her fashionistic persona. Donning demure, no make-up, plaited look and wearing kurti with sweaters, she looks perfectly the Indian girl next door. At the climax too, she looks glamorous not out of the dress but the confidence she wears! Full marks to casting directors as all actors play within the skin of their respective characters, be it the confused Rajkkumar Rao, Rani's family (Dadi is esp. lovable), sensuous smart Lisa Hayden or Rani's endearing firangi friends.
Cinematography: On Rani's canvas, you get to move from rues of Lajpat Nagar to the majestic Eifel Tower to the picturesque bridges of Amsterdam! Kudos to Siddharth Diwan and Bobby Singh for the awesome camera work!
Music: Amit Trivedi is a winner all the way. Already hit "London thumakda" gives way to "Ranjha", classical pop 'Badra bahaar' and 'O gujariya'. However, it is the remixed "Hungama ho gaya" from 'Anhonee' (1973) rendered emphatically by ever boisterous Asha Bhosle, which stays with you even after you leave the theatre. Songs are nowhere a speed- breaker in this flick.
Flaws: I failed to find any. :)
The film ends with a confident rejuvenated Rani thanking her betrayer for giving her the opportunity for self-awakening; we as audience thank the director for infusing optimism into the minds and hearts of esp. female watchers. Go ladies, this one's the best Woman's day gift you can give to yourself. Men too will surely enjoy it for all its youthfulness. It's a movie for all. HIGHLY RECOMMENDED.
My rating: ****1/2 (my favourite in the last 1 year)
P.S.: Ending credential FB ishtyle are not to be missed!
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