6.7/10
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Goodnight Mommy (2014)

Ich seh ich seh (original title)
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Twin boys move to a new home with their mother after she has face changing cosmetic surgery, but under her bandages is someone the children don't recognize.

Writers:

Veronika Franz (screenplay), Severin Fiala (screenplay)
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Popularity
2,235 ( 298)

Why Riley Keough Wasn’t Ready for ‘The Lodge’

Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.

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Cast

Complete credited cast:
Lukas Schwarz Lukas Schwarz ... Lukas
Elias Schwarz Elias Schwarz ... Elias
Susanne Wuest ... Mutter
Hans Escher Hans Escher ... Priester
Elfriede Schatz Elfriede Schatz ... Rotkreuz Sammlerin
Karl Purker Karl Purker ... Rotkreuz Sammler
Georg Deliovsky Georg Deliovsky ... Pizzalieferant
Christian Steindl Christian Steindl ... Mesner
Christian Schatz Christian Schatz ... Bauer
Erwin Schmalzbauer Erwin Schmalzbauer ... Akkordeongott
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Storyline

In the heat of the summer, a lonesome house in the countryside between woods and corn fields, lives nine-year-old twin brothers who are waiting for their mother. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. It emerges an existential struggle for identity and fundamental trust. Written by Ulrich Seidl Film

Plot Summary | Plot Synopsis

Taglines:

A mother should look out for her sons.


Motion Picture Rating (MPAA)

Rated R for disturbing violent content and some nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Austria

Language:

German

Release Date:

11 September 2015 (USA) See more »

Also Known As:

Goodnight Mommy See more »

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Box Office

Opening Weekend USA:

$63,641, 13 September 2015

Gross USA:

$1,178,196

Cumulative Worldwide Gross:

$2,193,474
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

In the movie whole time, the difference between twins is Elias is left handed and Lukas is right handed. These is shown many times like eating sausage, throwing Hail stone, opening doors, brushing teeth etc. See more »

Goofs

[All goofs for this title are spoilers.] See more »

Quotes

Lukas: What am I doing?
Elias: What's Lukas doing?
Mutter: But I can't see him.
See more »

Crazy Credits

The Cat (Katze) = Leo See more »

Connections

Referenced in WatchMojo: Top 10 YouTube Movie Trailers of 2015 (2016) See more »

Soundtracks

Guten Abend, gute Nacht
Written by Johannes Brahms
Performed by Lukas Schwarz
Arranged by Alexander Schwarz
See more »

Frequently Asked Questions

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User Reviews

 
Goodnight Mommy
6 December 2015 | by ArgemalucoSee all my reviews

Goodnight Mommy takes more than it should to find its rhythm, but it eventually gains energy and becomes a very interesting psychological thriller. It's difficult to write a review of this film without revealing the disturbing events from its third act, so it will be better to be mentioning what does NOT happen. Even though Goodnight Mommy was widely acclaimed in websites dedicated to horror cinema, it isn't a typical supernatural tale or a gore spectacle (even though it can be said that there are slight traces of both styles); and the twist in the end is quite well implemented, and I had never seen it coming. The actors make an extraordinary work in their roles, revealing the complex relationship between their characters without too much words. The story is set at a cottage inhabited by three persons (well, there is some occasional "guest", but they are just auxiliaries of the plot who don't require too much definition). That minimalistic cast defines the general tone of the movie, shot with an elegant austerity (which is typical of European cinema) which is also reflected on the terse dialogs and cold cinematography, portraying the games of the kids and the moments of the ending with the same indifference. On the negative side, the screenplay takes more than it should to find its own rhythm, as I previously mentioned. On the one hand, that increments the suspense; but on the other hand, it occasionally leaves us on an emotional drift, without enough clues to draw conclusions or enough events to impulse the narrative. Fortunately, the many pros of Goodnight Mommy end up compensating that complaint on a big degree, and I recommend it as quite a solid film, which might be horror, thriller or drama; but its analysis of psychological traumas and family dissolution doesn't need to engage with a specific genre in order to leave the spectator satisfied.


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