In the throes of a quarter-life crisis, Megan panics when her boyfriend proposes, then, taking an opportunity to escape for a week, hides out in the home of her new friend, 16-year-old Annika, who lives with her world-weary single dad.
Chloë Grace Moretz,
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna winds up unexpectedly pregnant after a one-night stand, she is forced to face the uncomfortable realities of independent womanhood for the first time. Donna's drunken hookup - and epic lapse in prophylactic judgment - turns out to be the beginning of an unplanned journey of self-discovery and empowerment.Written by
The film premiered at the Sundance Film Festival. See more »
Right after the lunch scene at the Italian restaurant, when Max accidentally steps on the dog poop, a man crosses the street wearing a red short sleeve shirt followed by a woman wearing a short sleeve shirt and shorts, when it's supposed to be winter in February, and Donna and Max are in their full winter gear. See more »
I hated Jenny Slate when she incorporated herself to the cast of Saturday Night Live in 2009. I deeply disliked her style and attitude, and I didn't even notice when she left the programme one year later (it is said that producer Lorne Michaels never forgave her for saying the "F" word during her first sketch). However, during the following years, my opinion about this comedienne changed very much, because I saw her flourish in supporting roles or as a guest actress in TV series such as Married and Parks and Recreation, in which she stole her scenes and left me wishing to see her starring in some project which would take advantage of her talent. And well, that project has finally come in the shape of the film Obvious Child, quite an interesting romantic comedy/drama about the abortion. It would seem difficult and even tasteless to find humor in that subject, but the screenplay takes the premise seriously and doesn't trivialize it for the sake of humor; on the opposite, the comedy naturally flows through the contradictory emotions generated by the main character's situation. Slate brings a brilliant performance in the leading role, and the rest of the cast also makes a solid work, highlighting Gaby Hoffman and David Cross. In conclusion, I can recommend Obvious Child as an incisive film, which, despite not being something brilliant, entertains and offers sincere emotions.
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