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'Carousel' with the New York Philharmonic 



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Episode credited cast:
Nathan Gunn Nathan Gunn ... Billy Bigelow
Kelli O'Hara ... Julie Jordan
Rest of cast listed alphabetically:
Adam Alexander Adam Alexander ... Ensemble
Glenn Seven Allen Glenn Seven Allen ... Ensemble
Kate Bass Kate Bass ... Ensemble
Joseph Beutel Joseph Beutel ... Ensemble
Ward Billeisen Ward Billeisen ... Ensemble
Stephanie Blythe Stephanie Blythe ... Cousin Nettie
Kate Burton ... Mrs. Mullin
Cree Carrico Cree Carrico ... Ensemble
John Cullum ... The Starkeeper / Dr. Selden
Daniel T. Curran Daniel T. Curran ... Ensemble
Jason Danieley ... Mr. Enoch Snow
Nicholas Davila Nicholas Davila ... Ensemble
Christine DiGiallonardo Christine DiGiallonardo ... Ensemble


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Music | Musical







Release Date:

26 April 2013 (USA) See more »

Also Known As:

Rodgers & Hammerstein's 'Carousel' with the New York Philharmonic See more »

Company Credits

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Technical Specs


Sound Mix:

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Did You Know?


[All trivia items for this title are spoilers.] See more »


Jigger Craigin: Tut-tut-tut. Carnival hussie coming between a man and his wife.
Mrs. Mullin: Oh, yeah, call names. But I got him back just the same and you're through!
Jigger Craigin: Put on a new coat of paint. You're starting to peel you old pleasure boat!
[Leaves, Billy enters]
Mrs. Mullin: You'll be wanting an advance on your salary. It's only fair you being out of work such a long time.
[hands Billy money]
Billy Bigelow: [gives money back] Go on back to your carousel, Mrs. Mullin.
See more »


Version of Grande Teatro Tupi: Lilion, o Malandro (1952) See more »


When The Children Are Asleep
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Sung by Jessie Mueller and Jason Danieley
See more »

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User Reviews

26 April 2013 | by mystic9121See all my reviews

Of all the greatest Broadway musicals, only Carousel gets me every single time, this more so than ever before: It literally drenched me in tears from start to finish. Blythe stands the tallest, and her anthem at the end tore me in twain.. Even though it has been honed down to its essential skeletal structure, the lyrics still succeed in moving one to tears. More than any other semi-staged concert version of a musical, the direction here was so on the mark that the authentic acting permitted one to identify readily with the main characters. The overarching Christ story of sin, contrition, forgiveness and redemption contribute to the tale, which is really an opera. The full glorious orchestration playing this exquisite score, supplemented by a perfect cast with matching voices are sublime. The touching ballet sequence at the end was thrilling, far better than in any other version I have seen. Bravo all round.

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