In the summer of 1914, thirteen-year-old Oda von Siering (Paula Beer) leaves Berlin to join her family and an assortment of German and Russian aristocrats on an estate in Estonia. The von ... See full summary »
Ambitious Jana is confronted with the unscrupulous machinations of the world of finance. Her working life is determined by egotism, the pressure to succeed and machismo. She soon has to decide how far she is prepared to go for her career.
A Berlin entrepreneur and his family regularly come to Tyrol for holidays. Although the locals dislike the haughty attitude of the Germans, they persuade him that building a snow-cannon ... See full summary »
April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted ... See full summary »
The gun used by the main character is a Winchester 1873 lever-action repeating rifle. See more »
When Greider shoots one of the Brenner brothers, you can see he is wearing a boot with plastic injection tread. See more »
Some things may not be spoken of - things from the past - from long ago. But this does not mean you can ever forget them. There are things that can never be forgotten.
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Arrangement/Interpretation: Clara Luzia & Katharina Priemar
Performed by Clara Luzia
Recording & mix: Philipp Nikodem-Eichenhardt
Allegrofilm See more »
Who would've thought that two of the best movies released in 2014 were westerns? After seeing My Sweet Pepper Land I was surprised by how much I enjoyed this modern western, a genre that normally doesn't appeal to me that much. The Austrian movie Das finstere Tal (aka. The Dark Valley) again pushes the boundaries of the western genre. Not the American frontier, but the Austrian Alps at the end of the 19th century are its setting. Aesthetically this is one of the most beautiful movies of the year, especially because of its winter landscapes in the Alps and the almost desaturated blue-grey color palette. Storywise it seems like something Tarantino could've made, if he got off the coke and took some tranquilizers: a story of vengeance and raw characters but with a slow burn effect. At the same time this movie strikes an emotional nerve and provokes a melancholic atmosphere by constantly maintaining a dreary and ominous effect. With its use of an anachronistic soundtrack it never gets too heavy though. This should've been nominated for the Academy Award for Best Foreign Language Film. Seriously.
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