The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ...Written by
Similar to how Michael Keaton's Birdman reflects on his earlier role as Batman, Edward Norton's character is a parody of Norton's own reputation for being very abrasive and difficult to work with. See more »
When Riggan leaves his dressing room in the first scene, the rod by the window has two plastic hangers pushed together to the left of the window. When Riggan returns to the dressing room after the stage light hits Gabriel's head, the two hangers are separated. See more »
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
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Sundance TV recently released an edited version which removes the swearing and zooms in the scene it shows Edward Norton's butt so it is not shown. See more »
I saw the preview for this a few months ago and I must say that all I could think was, "This looks weird." After seeing it last night at the NY Film Festival (as the closing film of this year's festival), I came out more than pleasantly surprised. I don't know what type of film the preview was trying to make "Birdman" seem like, but it's not anything like I thought it would be.
Inarritu, the editors, and the cinematographers incorporate a style of editing which would have been impressive without any plot whatsoever. It kept me on the edge of my seat the entire time, almost to a fault. It's almost exhausting having to keep up with it all. The score by Sanchez is bare but works great for the film, and is aided by a few visual representations mixed in throughout. The cast is more than up to the challenge as well, especially Keaton and Norton who have a few scenes where they each get to flex their acting chops. The rest of the cast doesn't seem to get as much of a chance to show off, but does not make their performances any less impressive. Awards for the four mentioned by name here could be forthcoming.
An entertaining film well worth the price of admission. Don't let the strange preview fool you.
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