Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ...Written by
The film's screenplay wasn't nominated by the Writers Guild of America (WGA) as it was deemed ineligible for their award due to the fact that not one of the film's four writers are guild members. Nevertheless, the film went on to win the Academy Award, the Golden Globe and the Critics Choice Awards for Best Original Screenplay. See more »
After the first preview (when Mike was drinking real gin onstage) Riggan and Mike walk out of the St. James Theatre onto 44th street. Riggan gives money to a drummer on the street. The camera swings around, and, apparently still in the same shot, they are now walking towards the Edison Hotel on 47th street. They enter the bar at the Edison Hotel. When Riggan leaves the bar, he is back on 44th street, and walks just a few steps back to the St. James Theatre - closer than when they walked from the theatre to the bar. See more »
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
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Sundance TV recently released an edited version which removes the swearing and zooms in the scene it shows Edward Norton's butt so it is not shown. See more »
I don't know how to start a movie review off, seeing as I've never written one. I feel my meager rating out-of-ten is enough information to tell those interested what I think of a particular movie. Birdman, however, is the exception.
I understand I'm an absolute stranger. Who gives a damn about what I have to think? My only hope is that after reading one fan's fanatic praise for Birdman, you will go and see it. In the interest of not over-hyping this movie (which many will feel I'm about to do), I will say it's nothing short of utterly amazing. Every aspect of the film is masterfully crafted and executed. Emmanuel Lubezki's cinematography only exemplifies this. The brilliant choice of always having the camera rolling lets the viewer see what happens before and after any given event. This added information creates a realism unknown to nearly every other movie ever made. What better way to capture the raw emotion and awkward stumbling of an angry outburst at your father than to show the immediate reaction of the ranter following her outburst; you get to see the anger slowly fade from her face as the reality of what she said sets in. Details like this are so often lost and these often- lost, immersive subtleties are what make Birdman the gargantuan triumph it is. Not to mention some of the transitions and dolly shots are just damn impressive.
Even though many movies are yet to come out this pre-Oscar season, I feel it is safe to say no other casting ensemble will come close to the performances given in Birdman. Michael Keaton, Zach Galifianakis, Emma Stone, Ed Norton, Amy Ryan, and every single other actor in the production execute their roles with professionalism that most movies are lucky to see in just one of their actors. Each actor didn't wait for their time to shine to pull out the big guns; every moment of screen time was utilized to its full potential. There isn't a second where the audience's immersion is broken by an awkwardly delivered line or a slightly out-of-place facial expressions or emotion.
The only criticism I have about the film is that more aren't like it. A smart, satirical movie that is capable of criticizing without being hypocritical is unfortunately rare. However, it's rather nice to have movies like this stand out from the crowd instead of being the norm, because the relative quality only makes them that much better.
So, in short, I implore you. I beg you. If you step into a movie theater once this year, let it be to watch this film. It deserves your attention.
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