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Nymphomaniac: Vol. II (2013)

Not Rated | | Drama | 20 March 2014 (USA)
1:46 | Trailer
The continuation of Joe's sexually dictated life delves into the darker aspects of her adulthood, obsessions and what led to her being in Seligman's care.


Lars von Trier


Lars von Trier
1,961 ( 395)
14 wins & 28 nominations. See more awards »



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Cast overview, first billed only:
Charlotte Gainsbourg ... Joe
Stellan Skarsgård ... Seligman
Stacy Martin ... Young Joe
Shia LaBeouf ... Jerôme
Christian Slater ... Joe's Father
Jamie Bell ... K
Uma Thurman ... Mrs. H
Willem Dafoe ... L
Mia Goth ... P
Sophie Kennedy Clark ... B
Michael Pas ... Old Jerôme
Jean-Marc Barr ... Debtor Gentleman
Udo Kier ... The Waiter
Ananya Berg ... Joe - 10 Years
Morgan Hartley Morgan Hartley ... B - 12 Years


Joe continues to tell to Seligman the story of her life. Joe lives with Jerôme and their son Marcel and out of the blue, she loses sexual sensation in intercourse. Joe seeks kinky sex, perversions and sadomasochism expecting to retrieve her sex drive. Jerôme leaves home with Marcel and gives his son to a foster house for adoption. Then Joe is sent to therapy by her gynecologist but she does not admit that she is addicted to sex. Meanwhile Seligman tells Joe that he is virgin and helps her to understand her actions. Joe believes that Seligman is her friend, but is he? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


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Not Rated | See all certifications »

Parents Guide:

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Release Date:

20 March 2014 (USA) See more »

Also Known As:

Nymphomaniac: Vol. II See more »


Box Office

Opening Weekend USA:

$74,978, 6 April 2014

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


| (director's cut)

Sound Mix:

Dolby Digital (Dolby 5.1)



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Whether it is coincidental or a sly touch on Lars von Trier's part, the three works Seligman references as his literary encounter with the erotic are the three films that make up Pier Paolo Pasolini's "Trilogy of Life": The Decameron (1971), The Canterbury Tales (1972) and Arabian Nights (1974). The "Trilogy of Life" was noteworthy for its attention to sexuality. See more »


During the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right. See more »


Seligman: Freud says the opposite. He talks about the polymorphic perversion of a child. Meaning that in a child, all kinds of perversions exist. And then we use the childhood to diminish or remove some of them. Basically a child is sexually polymorphic and everything is sexuality in an infant.
See more »

Crazy Credits

Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles." See more »

Alternate Versions

The director's cut adds roughly 57 minutes of footage, expanding some of the subplots. See more »


Follows Nymphomaniac: Vol. I (2013) See more »


Requiem Aeternam
Written by Wolfgang Amadeus Mozart
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Frequently Asked Questions

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User Reviews

Pass the Popcorn! review
22 February 2014 | by PassPopcornSee all my reviews

I finally got to see the second part of Lars von Trier's Nymphomaniac last night. As you might remember, I didn't really like the first part – it was mostly pretentious artsy stuff that couldn't keep me interested, and also I didn't come to the theater to masturbate, as some people seem to be doing. And seriously, how can they? I admit that this movie can make you horny, but every sex scene is coated with depression and isn't really sexy, which ultimately ruins the mood. But I digress. Nymphomaniac vol. II turned out to be quite surprising. It was better than the first part, and more interesting, as it focused more on the main character's relationship with society and how her 'condition' affected it – and therefore, it was much darker and heartfelt.

Note: skip this paragraph if you plan to see the movie as a whole, as it reveals some important plot points from the first volume. In this part, Joe (Charlotte Gainsbourg) is still telling her story to Seligman (Stellan Skarsgard), but his role is minor as he mostly listens and doesn't have many witty, maths-related remarks – which I thought was positive, and I liked that Joe asked him how could he possibly be thinking about mathematical formulas while she's talking about sex. My thoughts exactly, but this gets explained, too: Seligman is an asexual virgin. For the sake of drama, could he really have been anything else if not Joe's exact opposite? Also, this part shows us Joe ruining her monogamous life with Jerôme (Shia LaBeouf) because of her addiction, and we can finally see and understand the pain her addiction causes her.

I like to think this part of the movie is more Trier-like: there is less pretentious crap and less oh-so-shocking sex, but more is said about the main character and the story actually goes somewhere (while the first part was mostly about young Joe having sex). Volume II finally tackles the subject of nymphomania as a serious addiction. Just like a junkie, Joe gives up everything for her daily dose, even her loving husband who just can't satisfy her need. And even when she, in one scene, claims she loves herself as she is – a sex addict – it's hard not to smile and feel pity for a person that tries, in every possible way, to justify her behavior, while being aware of the lies she's feeding herself with. Still, I understand why the first part of the movie is lighter and focused on Joe's sexual adventures: every addiction feels awesome at first, just like youth is a much easier life period than all that comes after. Because of this needed transition, it's much better to watch the movie as a whole, if you can manage to sit through its 4 hour entirety.

It was also easier to concentrate on the actors' performances in this part of the movie. Stacy Martin is finally gone, thank God, except for a small part in the beginning that doesn't really show her bad acting. You can now really appreciate Charlotte Gainsbourg as an actress, as she does more than just sit on a bed and talk. Mia Goth is really good as P, even though this is her first role in a movie ever. Willem Dafoe got too little screen time to be really impressive, although he wasn't bad, but Jamie Bell as the sadistic K was great – so naturally intimidating, even his facial expressions make you shiver. There are still some scenes that make you cringe, the pretentiousness isn't completely gone and the movie is tedious from time to time, but I'd suggest you see it, preferably as a whole. It's not perfect, but it's definitely an interesting experience.

Rating: 7/10 Read more at http://passpopcorn.com/

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