An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
Ireland, early-1950s. Eilis Lacey is a young woman working in a grocery shop. She has greater ambitions and moves to Brooklyn, New York, leaving her mother and sister, Rose, behind. She is terribly homesick but eventually settles down, finding a job, studying to be a bookkeeper and meeting a nice young Italian man, Tony. Things are going well but then she learns that Rose has died, and decides to return to Ireland, temporarily. She and Tony hastily get married and then she sets off back to Ireland, alone. Life is about to get complicated...Written by
John Crowley divided the movie into three different visual movements. The first movement is before Eilis leaves post-war Ireland and is with tight frames and filled with green tones. The color scheme was created by photographic reference of the time. The second movement begins when Eilis leaves for Brooklyn and the first proper wide shot is featured, while the colors become more playful as a nod to how America in 1952 was on the cusp of pop culture kicking off. The third movement is back in Ireland, brighter, more glamour and "subtly more colorful" than the first movement. Crowley wanted to showcase Eilis has changed and looks very different: "There is a slight dreamy quality to that last third," he says. See more »
In the very early scene in Brooklyn where people are on the street corner waiting for the light to change, the traffic light itself is of a much later design than the early 1950's. See more »
Miss Kelly wants to talk to you later.
Not if what you're going to say will cause trouble for me in some way or another.
See more »
What a great film can do to a seemingly ordinary character
Brooklyn is a film about Eilis, who crosses the Atlantic to America in the 1950s. She is a mildly career-motivated young Irish woman who is handed a dream opportunity without ever asking for it. Contrary to what typical immigrant protagonists are like, she neither really works her way up to success nor once finds herself in a life-and-death situation. Rather, this film shows us that a woman of just a usual background can tell an important story that is surprisingly relevant to us all.
The main contributor to that surprise is the lead actress, Saoirse Ronan, who plays her role meticulously while also constantly owning the tone of the film. Her delicate and sincere portrayal makes all Eilis's issues, however selfish or insignificant they may seem at first, materialize in your mind, and makes you hope that her pain will somehow ease. Already a one-time Oscar nominee, Ronan reaffirms her acting strength with this exceptional performance. Of all emerging young adult lead actresses, she is likely the most charismatic one in 5 years since Jennifer Lawrence in Winter's Bone.
From start to finish, Eilis feels just like a girl-next-door. That homey feeling extends to Emory Cohen's Tony, an Italian plumber she meets in the New World. With their small height difference, she almost towers over him in her shoes as they stroll outside, which, helped by their natural chemistry, gives them the authenticity of a couple that you might actually know in real life, as opposed to one of Hollywood's ideal.
This film is a remedy for anyone who is losing faith in good filmmaking. It is a splendid reminder that you can tell a great story without resorting to excessive twists and effects. With the remarkable performances from the entire cast, there is hardly a dull minute in the film, and it only gets more interesting towards the end. Speaking of the end, Eilis's tips to a new immigrant she meets at the end still hold very true today. They are not only the best advice that you could ever hear from anyone, but also evidence that America is and has always been the land of opportunity.
171 of 206 people found this review helpful.
Was this review helpful to you?
| Report this