A story centered on a directionless 16-year-old living in Marfa, Texas and his relationships with his girlfriend, his neighbor, his teacher, a newly arrived local artist, and a local Border Patrol officer.
Jeremy St. James
Instead of adhering to the norms of their South Central neighborhood, a group of skater boys opt to bus into Hollywood and Beverly Hills, where they attract local rich girls - and plenty of... See full summary »
On a sunny day in an affluent suburb of central Mexico, a teenager mysteriously appears in the middle of a residential street. He's mute and dirty, wearing only a pair of briefs. Dangling ... See full summary »
A group of skateboarders in Paris are at the heart of a loose coalition of young people who do drugs and have sex. Several of them are rent boys, including the Dorian Gray/Narcissus of the group Math (Lukas Ionesco) and his friend JP (Hugo Behar-Thinieres) who is in love with him, but is continually rejected because Math reckons he's only gay for pay.
The lives and times of a few young skateboarders in Paris. However, their lives consist entirely of skateboarding, getting high and having sex with strangers, sometimes for money...
If you know Larry Clark's work, you'll know he generally likes making movies about young people, with a sleazy angle to it all. This was fine in Kids, which showed the emptiness of their lives, the harmful effects of their actions and how the cycle repeats itself in later generations. Bully was good too, as it had a crime- centred grittiness to it.
However, everything else he has made just uses the Kids formula over and over again. Young people, being depraved.
The Smell of Us certainly follows that formula, to the point that it should be called "Kids in Paris". Nothing new, and doesn't have the profundity that Kids has. It's pretty much sleaze and depravity for shock value sake.
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