A zombie apocalypse threatens the sleepy town of Little Haven - at Christmas - forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.
Alien robots come to Earth and assert their control over humanity. They claim that they only want to observe humanity. They enforce a strict no one allowed outside rule. They implant humans with a device that alerts sentries to anyone who goes outside and if they refuse to comply they are destroyed. They also employ humans to be their proctors. One of these men is Robin Smythe. He tries to get Kate Flynn to be his wife but she still mourns her husband whom Smythe says died. But her son Sean, doesn't believe it. He sends messages out asking anyone who knows anything about his father to tell him. One day he and three young people are fooling around when they discover that they turned off their implant. That's when they go outside and someone answers Sean's message and tells him where his father is. So he goes out to find him But Smythe pursues him and brings his mother as leverage. And when the robots corner Sean he somehow manages to control them. So the Robots are curious why he can ...Written by
Mediator 452 uses the same voice modulating effects found in the video game Portal (2007) for the character GlaDOS. See more »
When everyone is celebrating their victory in the final scene, some actors have no implants and others do. However, with the destruction of the robots, the electronic implants are non functioning. One of the extras in the celebration victory at the end (at around 1h 21 mins), forgot to turn off his implant battery and it can be seen briefly flashing. See more »
The title, Robot Overlords, alone already indicates that this is the campiest movie to exist in this generation, too dated that it would be an amusement for today's common moviegoers. It sounds like one of those generic fake films that are typically featured in romcoms or teens movies where it has a scenario in a movie theater, because apparently the production couldn't afford product placing an actual film, or basically just portraying or satirizing what the mass choose to pay for their price admissions. Robot Overlords does sum up with that standard, it's formulaic about its own plot: an evil force, unlikely heroes, a protagonist who has something special inside him which becomes the only hope to save the day. It's a total cliché, but this is one of those where people could shrug them off and see the charm of this little fodder. As a B-movie (for the "Family" genre in particular), it may have one of those corny qualities, but there is an appropriate amount of fun. There's nothing novel about it in the end, but this is a film that intentionally gives you the pleasure to turn off your brain.
Aside of its title, the movie seems totally committed to be this cheesy, but that doesn't let the negativity get in the way. The storyline is totally simple, it never tries to say something deeper or political or something else. Dystopian future movies tend to bring up something thought-provoking, but this film just sticks to the classic saving-the- world premise. And for once, it feels refreshing, specifically for not stopping by providing an overlong sentimental drama or a romantic subplot. The characters are only on a quest where they are often encountering robots, other ridiculous ideas and little twists that don't betray what it has setup. Otherwise, there is nothing actually special about it, but there's a real momentum that makes it easy to watch. When the robots start clashing, it gets too loud, the effects look good enough for a B-movie, bringing a sense of scale for these typically designed machines. but the shining moments are basically when the heroes are finding new discoveries in this world, it's basically just embracing what this should be an adventurous ride.
And just like any generic action film, the hero is the good-looking white guy. There is also a girl (who thankfully isn't mainly designed for love interest, since it totally shoehorned the romantic subplot) and the comic relief best friend. And there is a little kid, and this kid is always curious, because why not? The only interesting character side here is the villain who is attracted with the hero's mother, which brings an intriguing little extra conflict. The acting is B-movie at best; Callan McAuliffe has everything you would ask for a bland protagonist. While Ben Kingsley is delightful as the performance slowly hams it up the more the villain unmasks his true colors.
Robot Overlords might be too lame for this era of an even more convincing and edgier blockbusters. Movies like this would easily be groaned at and we can already see why. And for some reason, the film seems aware of its own trashiness and instead makes a simple fun out of it. Unlike many dumb B-movies out there that doesn't accept its absurdity by glossing it over with gravity that makes no sense until it stops being watchable, this film at least has the joy over its preposterous nature; the hero kids do impossible things, the villain sneers his plans, and they're against giant robots. But again, there's nothing brilliant about it, it never gave us anything meaningful in the end, but it sure is amazing seeing a movie like Robot Overlords that is confident enough to be released in today's blockbuster cinema.
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