18 user 41 critic

Back to 1942 (2012)

Yi jiu si er (original title)
Not Rated | | Drama | 29 November 2012 (China)
1:43 | Trailer
A deadly drought in 1942 takes its toll on central China's Henan province during the war against Japan.


Xiaogang Feng


Zhenyun Liu (novel), Zhenyun Liu
32 wins & 21 nominations. See more awards »


Cast overview, first billed only:
Guoli Zhang ... Master Fan Dianyuan
Hanyu Zhang ... Brother Sim
Wei Fan ... Lao Ma
Yuanzheng Feng Yuanzheng Feng ... Xia Lu
Fan Xu ... Hua Zhi
Daoming Chen ... Chiang Kai-shek
Xuejian Li ... Li Peiji
Jingyi Yao Jingyi Yao ... Lingdang
Jiale Peng Jiale Peng ... Liubao
Qian Li Qian Li ... Master Fan's Daughter-in-Law (as Li Qian)
Huifang Yuan Huifang Yuan ... Master Fan's Wife
Shaohua Zhang Shaohua Zhang ... Xia Lu's Mother
Ziwen Wang ... Xing Xing
Mo Zhang ... Shuan Zhu
Yi Zhao Yi Zhao ... Master Fan's Son
Learn more

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A famine with multiple contributing factors and devastating effects during the Second Sino-Japanese war is chronicled from the official perspective of reporters, generals, politicians and real families whose lives were forever altered by drastic measures they were forced to take in order to survive. Alternately ignoring the dire nature of the famine and its subsequent exodus of millions of people from the Hunen province, and minimizing its devastation to the outside world, the Chinese Nationalist government of the time is one which seems to be over burdened by ongoing war efforts and corruption in the distribution of relief supplies. Policy and private life are worlds apart in stopping the devastation shown through the portrayals of those who lived to tell the tale and their accounts of those who were not so lucky, of whom there were many (3 million.) This is a true story based upon Liu Zhenyun's novel "Remembering 1942," Zhenyun himself is the descendant of a survivor of the 1942 ... Written by zandernat-!

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Did You Know?


Official submission of China to the Oscars 2014 best foreign language film category. See more »


Referenced in Chelsea Lately: Episode #6.182 (2012) See more »

User Reviews

A Nutshell Review: Back to 1942
7 December 2012 | by DICK STEELSee all my reviews

With big budgeted films like Assembly and Aftershock under his belt, Feng Xiaogang is no stranger to ambitious films set against the Chinese historical backdrop, which he handles most excellently through powerful, emotional dramas, balancing it out with what would be money shots of the large event that forms the canvas of his movies. With Aftershock he dealt with the Tangshan earthquake of 1976, Assembly had his war between the Communist and Nationalist soldiers, and now he goes a little further back in time to 1942, where China's Henan province suffers through its deadliest drought resulting in the death of 3 million through starvation.

I guess it's quite challenging for many here to have experienced true hunger in today's relatively affluent society, but those who have been through some days without having to eat something, usually through vanity reasons of keeping artificially slim, will attest to an uncomfortable feeling. Multiply that by months on end, with a war looming and then experienced, and one can almost picture how miserable life then would have been, with food being literally scraped from what would be unthinkable as food, such as tree barks, and many willing to offer anything, most often children, as barter trade for foodstuff.

Based on the novel by Liu Zhenyun titled Remembering 1942, it charts the huge drought and famine through one of China's provinces, told through the eyes of various protagonists in this sprawling epic. There's a well to do landlord in Master Fan (Zhang Guoli) who opens the movie, as we bear witness to his slow and inevitable descend from prince to pauper, having a stockpile that got naturally targeted by bandits, and when all hell broke loose, he suffers tragedy after tragedy, joining the millions of others on their trek westwards to find food, and also incidentally escape from invading Japanese forces.

Then there's the religious arc, with Priest Sim (Zhang Hanyu), a Chinese man seeing opportunity in all these distraught to spread the word of Christ amongst his fellow countrymen, with his faith being shaken by constant questions how his God would have allowed this to continue, where at one point he had envisioned this situation to be similar to Moses' leading of the exodus out of Egypt. Tim Robbins and Adrien Brody also took up roles in this film, much like Christian Bale in Zhang Yimou's The Flowers of War, with the former being the priest whom Sim confides in, and the latter playing the role of a Time magazine correspondent who also lends his perspective to the growing atrocities, and ignorance of the many politicians who prefer to enjoy the company of elites, and turning a blind eye to the true situation thousands of miles away.

While the film does not offer pointed accusations, it does present a series of events that may have contributed to the immense human tragedy, and this largely involves politicians, soldiers and the Japanese, where WWII almost becomes an excuse for the existence of millions of refugees uprooting themselves and moving elsewhere not only to escape from enemies, but to look for sustenance. Director Feng engages some of the best in the craft for this ironically lush production (for a film that deals with those with absolute nothingness), to bring out vivid looking shots and conditions in which the actors thrived in delivering heartfelt performances, with no holds barred effort poured into the production to make every shot look believable, plausible, succeeding in its attempt to put you right where the action unfolds.

War and battle scenes also looked notches above what the director had done with Assembly. Blood and gore moments were kept realistic without the need to be gratuitous, from major scuffles amongst bandits and villagers, to constant Japanese air raids which saw bombs raining down indiscriminately against both soldiers and the long lines of civilians trying their best to escape from hunger, now having to deal with another threat which some see as a lifeline to end their miserable lives. But if looking from yet another angle outside from the premise of the film, the narrative also deals with the adage of fortunes being cyclic in nature, telling such a story where a rich man's most prized possession will be that final slap in the face when Maslow's basic theory of needs come into play, like a warning to the newly affluent that when it boils down to survival, it's every man for himself, with the elite class likely to suffer the most when the people trodden upon calls it quits.

Chinese films have come a long way over the last decade, and Feng Xiaogang has shown that he's amongst one of the best out there to deliver big budgeted productions that doesn't have to void of a soul or emotional core. It's an epic on the grandest scale, succeeding because it tells stories of the human condition that everyone can identify with. Highly recommended, as I ponder what other historical backdrop the director would be tackling next, since he has a keen eye and a knack for it!

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Frequently Asked Questions

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Mandarin | English | Japanese

Release Date:

29 November 2012 (China) See more »

Also Known As:

一九四二 See more »


Box Office


$33,000,000 (estimated)

Opening Weekend USA:

$105,702, 2 December 2012

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

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