Two brothers get caught up in a bitter battle for honor when they attempt to save their ailing publishing company by having an uncultured but attractive woman pose as the author of an unknown talent's literary masterpiece.
After finding out that they have a debt of EUR40.000 with the tax service, four very out-of-shape men working at a car shop start to train for a marathon, in which they can win the money to pay the debt.
Stefan de Walle,
Martin van Waardenberg,
Single father and Deli owner Daan tries to find love online. Katje a beautiful yet self absorbed designer opens a store next door, they instantly dislike each other. Daan daughter Saar ... See full summary »
Bracha van Doesburgh,
An American surrogate ( holly hunter) has female twin daughters in Holland for two male partners and has no contact with them and no family except them when she breaks her leg and needs support to get well. The twins now in their late 20s fly to America from Europe to meet her when shes released from the hospital. Hollys only possession is an old run down RV and the three set off in the RV on their mutual adventure!Written by
I enjoyed this film, whether because of or in spite of some of its peculiarities, I know not. Two young adult dutch sisters, with lives in Holland as problematic as anybody's, get word that their absentee American mother has gone into a hospital in New Mexico, dare each other to take on the job, and wind up still together, meeting her for the first time at a rehab center in the States. The story is of how they all get to know each other and how the sisters are able to make some changes of their own, thanks to the journey. Oddly, many sexes are represented here, but decent non-macho, non-dickhead males are thin on the ground. To be fair, that doesn't seem to be a poke at Americans, since the sisters have the same issues to deal with back in Amsterdam-and are forced to deal with them via Skype during the road trip; just odd. Another oddness is that the filmmakers set and shot the story in a New Mexico that could have been the location for "the Road". It's a flat, barren wasteland that looks more like the deserts of West Texas or Oklahoma than like anybody's Land of Enchantment. Their trip takes them through one cruddy jerkwater roadhouse after another. That serves to point out that, yes, some Europeans do like American Country-Western music. But what happened to the Rocky Mountains, Santa Fe and Albequerque? New Mexico can be spectacular, but the director seems to have chosen what she found under a rock instead. Odd. If for no other reason, this film is worth watching for the "Dykes on Bikes" sequence. I will say no more.
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