Following his ruin in the latest banking crisis, a self-made millionaire reluctantly re-unites with his estranged freewheeling brother to re-open the abandoned fish and chip shop they shared in their youth.
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.
Journalist Floyd from the U.S., Michael Henderson from the U.K., and their teams meet at the beginning of the Bosnian war in Sarajevo. During their reports, they find an orphanage run by ... See full summary »
BBC sketch show that while continuing to show the misadventures of a series of popular characters now also introduces a slew of new oddballs and misfits for us to enjoy including Tory Boy and The Lovely Wobbly Randy Old Ladies.
Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live.
Self-made businessman Harry Papadopoulos has got it all; a mansion house; awards and a super rich lifestyle. However, on the eve of a property deal of a lifetime, a financial crisis hits and the banks call in their huge loans. Harry and his family lose everything in an instant. Everything, except the dormant and forgotten Three Brothers Fish & Chip Shop half owned by Harry's larger than life brother Spiros who's been estranged from the family for years. With no alternative, Harry and his family, plant enthusiast James; fashion victim Katie; nerdy Theo and their loyal nanny Mrs. Parrington, are forced to pack their bags, leave their millionaire lifestyle and join 'Uncle Spiros' to live above the neglected Three Brothers chippie. Together they set about bringing the chip shop back to life under the suspicious gaze of the their old rival, Hassan, from the neighbouring Turkish kebab shop whose son has his own eyes on Katie. Each family member must come to terms with their new life in ...Written by
[addressing a crowd]
We were children when we came to the U.K. with nothing. We start agin! Fat Laki; the weight you lost is an inspiration. Phil 'the Till'; you've helped many Greeks with your... tax-friendly till machines. Ey... only two things are certain in life; death and taxes. Unless you're Greek!
[laughter and applause]
Then it's only death!
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Utterly dire, the worst type of contemporary British film - was this Lottery-funded, I wonder? Allegedly a comedy drama it is neither funny nor dramatic - the sort of piece they used to call 'heart-warming' for want of anything else positive to say.
Dillane is catastrophically miscast - about as Greek as an Asda moussaka. Not the most inspiring screen actor at the best of times, for the first half he stands around looking stunned-to-blankly moody, saying little and little apparently going on inside either. But that's better than when he does finally start saying something - so bland he seems to have suffered a stroke. The script, the direction, the editing unutterably clichéd, unimaginative, predictable and SLOOOOOW - and I *love* slow when the slowness lets you watch interesting things going on. No such luck here.
The most unbelievable brothers since Schwarzenegger and DeVito in 1988 - but this time it's not meant to be a joke. And finally the traditional British film failing: some really embarrassing supporting turns which should have been ruthlessly excised - the guy playing Lars, the Scandinavian money man, gets my award for the worst foreign accent of the decade...nearer German, if anything, but like one in a bad war film of the 1950s. The only Greekness I detected anywhere was in the music, but even that relentlessly trying to tell us what we should be feeling and when (the script and action having failed to do so) - sad, hopeful, joyful, sad again (and again and again)...and finally triumphant and (you've guessed it) heart-warming.
At one point a character (Dillane? I forget) says, "This doesn't feel right" - the most truthful line in the movie, I'm afraid.
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