Lisa and her adopted sister Marine are inseparable. With Lisa's mother, Millie, they've forged a deep bond and offer security to Lisa's son. When Marine falls in love the family is thrown ...
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Lucrèce, the best killer in the business, accepts a final job: eliminate an opera singer who threatens the interests of a corporation. She's hired as a contralto for a festival her target is singing in, but things don't happen as planned.
1809, France. Captain Neuville is called to the front, leaving his future bride heartbroken. Her sister decides to write letters on his behalf to cheer her up. But it all goes south when Neuville reappears.
Lisa and her adopted sister Marine are inseparable. With Lisa's mother, Millie, they've forged a deep bond and offer security to Lisa's son. When Marine falls in love the family is thrown off balance and before they can catch their breath, tragedy strikes and the family must realign so they can turn loss into hope and love.Written by
My women friends loved this, while my male friends and I squirmed through what seemed a painfully long drawn out predictable story. In drama of all sorts, when someone is so happy at the start you can just see the bad news coming. Life and the Film Business should have taught us all by now that the writer/actor/director/ roles combined in one human being is usually not a wise move. Sadly, this film proves it. I am sure Melanie Laurent will go on to do more good films (If you direct don't act - If you act please don't direct) but "The Adopted" could do with some much firmer discipline in cutting and moving the story along. I loved some of the acting sequences woman-to-woman in the book shop (that marvellous book shop owner!) and probably my favorite scene is the young boy talking to his dead aunt in his treasured Polaroid picture that scene really is film - underline film!
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