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Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
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When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join four other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him--he is still alive--and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, ...Written by
Director Hackford tells in the DVD bonus, film commentary, that the heist sequence was shot half in Ohio and the other half in Louisiana, because the fire sequence could have never been made in the middle of a crowd, the actual Ohio feast, carnival. So he explained that they used extras for the fire sequence in Louisiana and used the actual crowd in Ohio, where no one among the mob could recognize the actors such as Statham - who was disguised as a priest - Chiklis and so on...So the audience watched, during one minute, several shots made one thousand miles in between. See more »
Parker steals a blued M1911-type pistol from the hunters' motel room and it ends up in his duffel bag. Later, the blued M1911 has been replaced by a nickel-plated M1911, Ross's "best .45" from later in the film. See more »
I'm sick of chauffeuring these fucking entitled wannabe playboys who have never worked a day in their life. Showing them houses that I could never afford. Laughing at their jokes that I can't stand. All while fending off their gropes. But not all their gropes. Because you never know, one of these days I might just might get a full commission.
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Well, SURE, there are places where you must suspend disbelief (it's not THAT easy to steal a car, is it?), and SURE there are plot holes, and SURE there are times when you say to yourself "How did he know to go there?" BUT...this is one enjoyable movie!
The acting, the action scenes, and the eye candy (Statham for you XXs, and J-Lo for us XYs) are all great. Oh...and a word about J-Lo. While I've never been a great fan, the poor reviews she received made me curious. Well, she was excellent...and hot as a pistol. That woman has more sex appeal than 5 centerfolds. Patti Lupone plays her mom...very well, I might add.
Statham plays Parker and Parker-like characters in an intrinsically believable manner; that is, marginal characters who live on the edge of the law or beyond it (think "The Transporter" series) with an honorable streak. He slips into this part easily, and like his "Transporter" character, Parker seems little interested in sex. No...he has a singular purpose here as he has had in previous movies: get the job done, and no time for recreation. And once again, his singularity of purpose rings true.
There is, of course, violence, but we all have seen worse; my wife only had to look away twice, and she does not enjoy these types of movies, but goes to humor me (I agreed to see that dreadful "Moonrise Kingdom" after all). But she liked "Parker"--her direct quote was "It kept my interest"--and that was high praise for this kind of flick.
And as Tosh might say: "And for that, we thank you."
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