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CBGB (2013)

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A look at the New York City punk-rock scene and the venerable nightclub, CBGB.

Director:

Randall Miller
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Cast

Cast overview, first billed only:
Alan Rickman ... Hilly Kristal
Malin Akerman ... Debbie Harry
Justin Bartha ... Stiv Bators
Richard de Klerk ... Taxi
Johnny Galecki ... Terry Ork
Kyle Gallner ... Lou Reed
Ashley Greene ... Lisa Kristal
Rupert Grint ... Cheetah Chrome
Estelle Harris ... Bertha Kristal
Taylor Hawkins ... Iggy Pop
Ryan Hurst ... Mad Mountain
Stana Katic ... Genya Ravan
Joel David Moore ... Joey Ramone
Ahna O'Reilly ... Mary Harron
Freddy Rodríguez ... Idaho
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Storyline

CBGB follows the story of Hilly Kristal's New York club from its concept as a venue for Country, Bluegrass and Blues (CBGB) to what it ultimately became: the birthplace of underground rock 'n roll and punk. When Kristal had difficulty booking country bands in his club on the Bowery he opened his doors to other kinds of rock music. Kristal had one demand of the acts he booked; they could only play original music. No top 40's, no covers. It was the credo he lived by, support the artist at whatever the cost. Hilly Kristal ironically became known as the godfather of punk giving a chance to such bands as Blondie, Television, Ramones, Talking Heads, Dead Boys and The Police. Written by anonymous

Plot Summary | Plot Synopsis

Taglines:

50,000 bands and 1 disgusting bathroom.

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for language throughout, some sexual content, drug use, and a scene of violence. | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

11 October 2013 (USA) See more »

Also Known As:

CBGB: O Berço do Punk Rock See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$3,909, 6 October 2013

Gross USA:

$40,400

Cumulative Worldwide Gross:

$40,400
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Alan Rickman was in his mid to late sixties when playing a man in his mid to late thirties. See more »

Goofs

The sidewalk in front of the CBGB in the movie was way too narrow, unlike the real Bowery which has an enormously wide sidewalk. See more »

Quotes

Legs McNeil: [Talking about a new magazine] Cool, I can be like the editor, or something.
John Holmstrom: No. I'm the editor and the illustrator.
Legs McNeil: Whoa... what does that leave me?
John Holmstrom: You're just a punk.
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Crazy Credits

"This film is dedicated to... Hilly Kristal and all those who worked at and lived at CBGB. MAY THEY ROCK ON FOREVER! No animals were harmed during the making of this film... The cockroach guts were Fig Newtons. And we know that Iggy Pop never played at CBGB... Just deal with it." See more »

Connections

Referenced in Chelsea Lately: Episode #7.150 (2013) See more »

Soundtracks

Allemanda
from Partita No. 2 in D minor, BWV 1004
Written by Johann Sebastian Bach (as J.S. Bach)
See more »

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User Reviews

 
Great film about an important moment in music history
3 October 2013 | by natrc2003See all my reviews

As someone who was "there" but as an outsider (14-year-old kid from NJ who idolized Punk magazine and especially the Ramones), I loved this film. Yes, I recognize a number of liberties were taken with the truth, but this film allowed me to relive the thrill I used to experience going to CBGB's (as we called it) back in the day (I started going around 1976 or so). Even more than that, it's great to get a glimpse of how CBGB's came to be.

More than that, the film works great as a film in and of itself -- the directing, pacing, acting and cinematography are all first rate, with nary a dull or dead spot throughout (until the end, but I'll get to that). I'm not generally one for tricks like the use of Holmstrom's art to frame the story, but since it's Punk magazine we're talking about, it makes perfect sense for this film.

The film just sails along -- I suppose partly because it's so much fun to see the various bands, and how much fun the actors had portraying the band members' quirks (the Joey Ramone character is spot on... ). In fact, I would have liked it if the film had been extended to include more of the early groups (they left out Suicide, who were everywhere back then) and more of the live performances. I'm a little torn by the decision to have them lip sync to album material -- on the one hand, it's the music we remember, on the other hand, most of the bands have live material available, even recorded at CBGB's, why not use some of that?

However, by the end... the film runs out of steam a bit. I think that comes partly from the decision to focus a bit too much on the Dead Boys storyline, knowing how doomed that band was, and how entirely outclassed they were by most of the other bands featured (Television, Talking Heads, Ramones, Blondie). Fortunately, the film only sags in the last 15 minutes or so, and it's still not enough to spoil a fine film dealing with a very important part of American -- and world -- music history.

For me, personally, this period shaped my entire life, certainly from an aesthetic point of view.

And great news! There's now a Best of Punk Magazine book available! (I still have my original copies around somewhere, but I can't wait to show this book to my kids!)


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