A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a...
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Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
A Sergeant must deal with his desires to save the lives of young soldiers being sent to Viet Nam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old Army buddy.
Francis Ford Coppola
James Earl Jones
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a mysterious young ghost named V. He's unsure of her connection to the murder in the town, but is grateful for the story being handed to him. Ultimately he is led to the truth of the story, surprised to find that the ending has more to do with his own life than he could ever have anticipated.Written by
The word "twixt" is short for "betwixt", which is an archaic term for "between". This is a reference to the main character's situation between dream and reality. See more »
In the newspaper clippings folder, the clipping from "The Press" (revealing the "Devil lives in the clock tower" angle) shows an ad for a motel on the left side of the page. In that page a car is shown, a 1957 Ford. In the next clipping shown, another variation on the "Devil in the clock tower" angle on the children's murders, shows the date of the newspaper, from 1955. Unless this paper was still churning the Devil in the tower angle, and the children's murder was still front page above the fold news (dubious), the car shown didn't exist until two years after the murder/newspaper story. See more »
There was, once upon a time, a town not far from a big city. A road ran through, but there were only a few businesses. A coffee shop, a hardware store, a sheriff's office. And all kinds of people. Vagrants, run away teens, religious fanatics, retired seniors who, well, it was a town of those who wanted to be left alone. And so they were.
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I went into this movie with little expectation, seeing as I've never followed Francis Ford Coppola's work. Perhaps that's the only reason why I found it mildly entertaining. From reading other reviews, it's clear that this work doesn't even take a step toward what Coppola is capable of. But what baffles me is that a film this bad was made by a director that obviously has proved their artistic vision plenty in the past. But I digress. At 40 minutes into the film, I had a feeling that things weren't going to get any better. The storyline felt cliché, the acting was sub par, and the dream sequences were so strange and misplaced (yet somehow boring at the same time), that I was having trouble paying attention to it. But I kept watching because 'hey, you never know'. Well, now that I've watched this train wreck to its end, I can tell you with confidence that if you aren't watching this simply for indulgence of one of the supporting actors' performances, you will be greatly disappointed. Though I suppose you could argue that the dream sequences have some substance to them, the whole film feels not only unfinished, but without a true message, which is why getting to the end feels like such a strain.
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