With a plan to exact revenge on a mythical shark that killed his partner, Oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down - which might not be such a bad thing.Written by
When Scout Master Ward enters Sam's tent at Camp Ivanhoe, he discovers that it's empty and that Sam has left via a hole in the side of the tent. The hole is covered by a map, but it's taped to the inside of the tent. If Sam had actually left via the hole, he would have no way to stick the map to the side of the tent, and if he had left via the tent door - which was zipped with the zipper-pull on the inside - there would be no reason for the hole in the first place. See more »
Listen to some reason. I don't like you. You don't like me. So, why don't you just let us disappear?
Well, it's tempting, but we can't allow it.
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During the final credits, Alexandre Desplat's music is vocally decomposed, like it was for the piece of classical music during the movie. See more »
Moonrise Kingdom will leave you dreamy and smiling, with a hint of melancholy
Let's try to understand the miracle I have just witnessed. Director Wes Anderson is 12 years old, has just experienced his first love while at Summer camp, and immediately rushed to a camera to tell us, his pen pals, the story. A slightly embellished story which follows the perfect scenarios we would draw at night in our beds at this age. It has all the tiny details, the sense of adventure and the freshness of youth. How someone 43 years old in real life could do this movie is beyond me. The drawback of this miracle for the viewer is that such a jump back into the kind of idealized feelings you had in your early teens leaves you with quite some melancholy when you leave the cinema.
It could be that some people do not connect to the movie and just see it as "adorable" or "cute" and nothing more. But I suppose most people will feel connected, notably because the movie has this straight-to-the-point attitude in both the technique and the story-telling; the story is read to you, not force-fed with dramatic music and whatnot. Just like one of the characters who reads bedtime stories to the others.
You might complain about the lack of character development for some of the big names in this film (Norton, Willis, Murray - McDormand less so as she gets more detailed screen time than the others) but I suppose this is wanted: kids will see hints of the issues adults are facing, but can't understand them fully. And remember this is a movie shot by 12-year old Wes Anderson.
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