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Ender's Game (2013)

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Young Ender Wiggin is recruited by the International Military to lead the fight against the Formics, an insectoid alien race who had previously tried to invade Earth and had inflicted heavy losses on humankind.

Director:

Gavin Hood

Writers:

Gavin Hood (screenplay by), Orson Scott Card (based on the book Ender's Game by)
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1,904 ( 1,239)
1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Asa Butterfield ... Ender Wiggin
Harrison Ford ... Colonel Graff
Hailee Steinfeld ... Petra Arkanian
Abigail Breslin ... Valentine Wiggin
Ben Kingsley ... Mazer Rackham
Viola Davis ... Major Gwen Anderson
Aramis Knight ... Bean
Suraj Partha ... Alai (as Suraj Parthasarathy)
Moises Arias ... Bonzo Madrid
Khylin Rhambo ... Dink Meeker
Jimmy 'Jax' Pinchak ... Peter Wiggin (as Jimmy Jax Pinchak)
Nonso Anozie ... Sergeant Dap
Conor Carroll ... Bernard
Caleb J. Thaggard ... Stilson (as Caleb Thaggard)
Cameron Gaskins Cameron Gaskins ... Slattery (Leopard Army)
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Storyline

The Earth was ravaged by the Formics, an alien race seemingly determined to destroy humanity. Fifty years later, the people of Earth remain banded together to prevent their own annihilation from this technologically superior alien species. Ender Wiggin, a quiet but brilliant boy, may become the savior of the human race. He is separated from his beloved sister and his terrifying brother and brought to battle school in orbit around earth. He will be tested and honed into an empathetic killer who begins to despise what he does as he learns to fight in hopes of saving Earth and his family. Written by CrystalSinger45, Jesse Daniels, strouda56

Plot Summary | Plot Synopsis

Taglines:

This is not a game See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some violence, sci-fi action and thematic material. | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Google+ | See more »

Country:

USA

Language:

English

Release Date:

1 November 2013 (USA) See more »

Also Known As:

Ender's Game See more »

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Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend USA:

$27,017,351, 3 November 2013

Gross USA:

$61,737,191

Cumulative Worldwide Gross:

$125,537,191
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

To achieve the effect of weightlessness for the actors and actresses in the battle room, two rigs were invented for this movie, used to capture zero gravity scenes. First was a lollipop arm, which is like a counter-balance offering a full range of motion. The second innovation was a "people crane". It's a contraption, sort of like the lollipop arm, but put on air pucks so that the effects is like you are floating around in the air. See more »

Goofs

Ender says to Stilson, "One on one, then why are your buddies holding me?" Just before he starts talking he moves his lips, clearly saying something, but no sound is heard. See more »

Quotes

[first lines]
Ender Wiggin: Fifty years ago an alien force known as the Formics attacked Earth. Tens of millions died. It was only through the sacrifice of our greatest commander that we avoided total annihilation. We've been preparing for them to come back ever since. The International Fleet decided that the world's smartest children are the planet's best hope. Raised on war games, their decisions are intuitive, decisive, fearless. I am one of those recruits.
See more »

Crazy Credits

This film included an "undomesticated quadruped wrangler". See more »

Connections

Referenced in The Simpsons: Let's Go Fly a Coot (2015) See more »

Soundtracks

Peace Sword in B Minor (Open Your Heart)
Written by Wayne Coyne, Michael Ivins, Steven Drozd, Kliph Scurlock and Derek Brown
Performed by The Flaming Lips
Produced by The Flaming Lips, Scott Booker and Dave Fridmann
The Flaming Lips appear courtesy of Warner Bros. Records
See more »

Frequently Asked Questions

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User Reviews

 
Don't go in expecting typical young-adult fare. "Ender's Game" is an engaging and visually entertaining adaption of a classic sci-fi novel
30 October 2013 | by moviexclusiveSee all my reviews

With a rumoured US$100 million production budget, "Ender's Game" could be written off as one of the latest in a growing line of high-budget young adult flicks, which its co-producing company Summit Entertainment probably hopes it will be. A more interesting fact is that it's also one of the first films whereby one of the other co-producers is James Cameron's special-effects firm Digital Domain, responsible for creating most of the futuristic sets and backdrops. But visual effects, even in a sci-fi movie, can only go so far in capturing audiences. The source material's acclaim far exceeds that of recent YA successes like "Twilight" and "The Hunger Games": Orson Scott Card's sci-fi novel won both the prestigious Nebula Award and the Hugo Award in 1985 and 1986 respectively, and is also recommended reading for the US Marine Corps.

Attempting to give sufficient credit to such a classic novel is director and writer Gavin Hood, best remembered for the unimpressive "X-Men Origins: Wolverine", which received a lukewarm response from critics and audiences alike. This time though, the pieces look to be in place for a box office success. Beyond the lauded source material, he's also got a stellar cast, led by 16-year-old Asa Butterfield, who effectively wields his expressive, bright blue eyes to convey a contradictory mix of childlike vulnerability and a preternatural ruthlessness. These are useful tools for portraying Ender Wiggin, a brilliant boy-genius recruited by the military in a world that is still recovering from the aftermath of an attack by insect-like aliens. The government is somehow convinced that training children barely on the cusp of adolescence in the ways of war will ensure future victory. Employing a combination of relentless physical training, psychological manipulation and social isolation in Battle School, Colonel Graff (Harrison Ford) and Major Gwen Anderson (Viola Davis) are looking to sieve out a suitable leader.

Ender appears to have the ideal traits, a result of both nature and nurture. On the one hand his intellect and tactical instinct are innate gifts. On the other, a troubled family background consisting of ambivalent parents, a psychotic older brother and a compassionate sister creates a detached demeanour and an understanding that mercy must be shelved in exchange for a thorough victory. Graff, convinced that Ender is 'The One', pulls no stops in his training and quickly puts him in command of his own platoon.

The inter-team battles resemble laser tag in a spherical zero-gravity court, lit in blue neon and dotted with blocks. Ender establishes himself as a leader worth his salt; crushing enemies along the way and swallowing the resultant guilt until an ill-fated showdown with a belligerent team leader Bonzo (Moises Arias) one day throws him off- course. Questioning whether the toll on his psyche is worth all this training to ultimately become a killer, Ender quits, only to change his mind after a rather brief talk with the one person he loves most in the world, his sister Valentine (Abigail Breslin). He moves on to advanced training in Command School under revered war veteran Mazer Rackham (Ben Kingsley). The script takes on a more existential tone after this point, leading up to the climactic final "game" where the theme of morality / oppression in war takes centre-stage.

The pacing may be slightly uneven but the film moves fast enough to retain your attention throughout. Visually, most scenes are filtered with bright electric blue lights and warm amber hues set against black space, which feels familiar and reminiscent of "Tron: Legacy" – both films share the same production designers, Sean Haworth and Ben Procter. Coming on the heels of Alfonso Cuarón's astoundingly beautiful "Gravity" doesn't do "Ender's Game" any favours. That's not to say that it isn't aesthetically impressive on its own; the glossy and clinical sets are believably futuristic and highly pleasing to the eye.

Acting-wise, Ford leverages on his grandfatherly gravitas in portraying a man who is convinced that the end he has in mind will justify any means. Alongside him, Butterfield ably holds his own, following his adorable turn in "Hugo" with another praiseworthy performance and creating a tense dynamic with Ford that hits the boiling point in the concluding scenes. Abigail Breslin, unfortunately, is underused. Movie adaptations of books invariably result in the loss of certain elements: While Ender's siblings are keenly-developed and complex characters in the novel, the lack of screen time and development in the movie render them as mere placeholders.


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