Louie (2010–2015)
8.2/10
789
1 user 2 critic

Heckler/Cop Movie 

Louie reluctantly acts in a movie.

Director:

Louis C.K.

Writers:

Louis C.K., Louis C.K. (creator)
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Cast

Episode cast overview:
Louis C.K. ... Louie
Matthew Broderick ... Matthew Broderick
Hayley Podschun Hayley Podschun ... Laurie
Gerry Vichi Gerry Vichi ... Simon
Megan Hilty ... Heckler
Todd Barry ... Todd
Adam Escott Adam Escott ... A.D.
Sylvia Kauders ... Woman
Clinton Lowe ... Thug #2
Kenneth Maharaj ... Cashier
Reza Salazar ... Thug #1
Barbara Spiegel Barbara Spiegel ... Joan
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Storyline

Louie reluctantly acts in a movie.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

TV-MA
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Details

Release Date:

27 July 2010 (USA) See more »

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Box Office

Budget:

$250,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

See full technical specs »
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Did You Know?

Trivia

The confrontation with the heckler was based on a real-life experience of Louis C.K.'s. Earlier in his career, C.K. saw a heckler disrupt an audition for Late Show with David Letterman (1993). After he confronted her onstage, the heckler confronted him after the show. C.K. told the woman that he took the comedians' dreams away but the heckler was indignant and did not apologize. See more »

Goofs

In the beginning of the "Heckler" segment, the chair to Louie's left is empty. In the next shot, the heckler suddenly appears. See more »

Connections

References I Am Comic (2010) See more »

Soundtracks

Brother Louie
Written by Errol Brown and Anthony Wilson
Performed by Ian Lloyd
Courtesy of Machine Dream Records
(theme song)
See more »

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User Reviews

it takes 20 minutes..
18 July 2019 | by Arth_JoshiSee all my reviews

Louie

CK has a sitcom that every stand up comedian doesn't dream of. So many of them came close to their version of authenticity but in here, Louis CK, the creator, floods out every such famous show in one wash. Among many, many other reasons to go through this philosophical journey with CK, is to inspire from the way he films this New York City. As in the world he creates here increases the quality of television that lops off commercial branches and deepens the root through pure essence of the character, fooling you into believing that this is not a TV show. It is no crowd pleaser. And this shouldn't come as a surprise considering CK's image as an edgy comedian.

He pushes the line after every joke. You try and heal yourself and he keeps scratching the wounds harder. Another reason why I am drawn towards his comic style is that the frustration that he embodies- any stand up artist would complain and show his or her anger towards the mundane activities to connect with the audience and mock over the situation- for the laughs doesn't just wing by for the crowd and instead it is weaved out as a philosophical or ethical questions raised and discussed.

The series takes the bar a little low, optimistically, and maybe that is why people find it more sad that it actually is. But if we think about the world CK paints, the characters aren't particularly sad in contrast to the world. It is just that we are set in a dark and comical yet fair world. What's CK doing here is staging a part of life we haven't seen. It is those same streets and familiar character, it's just that we haven't seen them like this, saying things like this, expressing with a notorious behaviour like such. Where the only issue should be is how effortful it sometimes feel to warp into this world, this tedious part of the narration consumes a lot of energy from us, the viewers and Louie, a comedian; nay, a father.

Heckler/Cop Movie

The heckler part isn't polished, the writing is a bit rough, but it is certainly one of the best gags. There is also a guest appearance that is sketched by your typical montage of repetitive takes gone awry. But what I love most, the highlight of the show is probably the most nuanced already-heard-plenty-of-time joke. I mean, the cat had to stop meowing but Louis kept annoying it.


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