Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Jennifer Jason Leigh,
Stephen Adly Guirgis
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An Irish filmmaker grapples with the legacy of his estranged father, the late documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland. ... See full summary »
Junior, a delusional aspiring Broadway star with an inappropriate obsession with his mother Immaculada. After orchestrating an accident that nearly kills his abusive father, he encourages ... See full summary »
Abe Wertheimer - an odious, purposeless, self-centered 35-year-old living parasitically with his parents (by choice) and working in his dismayed father's business office (avoiding work while scoping eBay for collectible toys) - meets Miranda, an equally pathetic but self-loathing social dropout who, having given up on life, masochistically accepts Abe's sudden proposal of marriage for a knowingly grim future she won't fight against. Along with projecting his own faults onto his father, his own jealousy for lack of success and accomplishment onto his younger brother, and wallowing in the blind support of his mother, it's just another aspect of Abe's unsatisfying life that he just can't see to improve. A long-overdue decision finally spins his insignificant life out of control.Written by
The main indication that Selma Blair is the same character that she was in Storytelling, despite having a different first name. is mentioning her dreams of having "a literary career" (her Storytelling segment is centered in a college creative writing class). See more »
On the sofa, Marie drinks form her left hand, but when she gets up, her drink is in her right hand, but then it's back in her left hand when she gets to the bar. See more »
When I Fall In Love
Performed by Ben Webster
Written by Victor Young and Edward Heyman
Published by Chappell & Co. (ASCAP) and Intersong-U.S.A., Inc. (ASCAP)
Courtesy of The Verve Music Group
under license from Universal Music Enterprises See more »
Greetings again from the darkness. Todd Solondz is the master of film uncomfortableness. If you have seen his "Happiness", you won't debate whether that's a real word or not. Mr. Solondz has a way of finding the worst in his characters and then taking it even darker and more negative. And yet, somehow, his latest (and maybe his simplest film to date) could be called a comedy.
We are first introduced to Abe (Jordan Gelber) and Miranda (Selma Blair) as they share a table at a wedding, yet somehow aren't remotely together. He is oblivious to her near silent attempts to nicely avoid providing her phone number to him. The film moves quickly to provide proof that Abe is the epitome of arrested development. A mid-thirties something who not only "works" for his dad, but still lives with his parents (Mia Farrow, Christopher Walken)in a bedroom decorated with action figures. It's difficult to look at someone who takes up as much space as Abe and categorize them as a kid, so I believe the better term is "not an adult". He stalks Miranda and doesn't seem to mind/notice that she is a heavily medicated depressed individual who looks at him like he's a circus act.
Abe's work environment is no better than his personal life. He brings nothing of value to his dad's company, yet somehow thinks he is always being mistreated. This carries over to his feelings toward his brother Richard (Justin Bartha), who is a doctor. Abe, who dropped out of college, believes the only difference is that Richard was the favorite son and received special privileges. It's very easy to label Abe a "loser", but somehow Solondz manages to maintain our interest with small sparks of hope.
The hope quickly fades and Abe's life heads on a fast downward spiral. There are some bizarre fantasy/dream sequences that involve the quiet, much older co-worker Marie (Donna Murphy), and a conversation in the car with his mother and brother that plays like something directly out of a Woody Allen movie (made even creepier with the presence of Mia Farrow).
There are some funny moments, but as Mr. Solondz would prefer, the laughs are tainted with guilt. We can't help but wonder why we laugh at a guy for whom we have such little respect ... actually bordering on disgust. I must admit to being pretty tired of Abe by the end of the movie, and couldn't help wondering if it might have been more effective as a short film. Still, the acting was superb, and unfortunately Abe isn't that much of a stretch from someone you probably know in real life. (www.moviereviewsfromthedark.wordpress.com)
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