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The Revenant (2015)

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A frontiersman on a fur trading expedition in the 1820s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.

Writers:

Mark L. Smith (screenplay), Alejandro G. Iñárritu (screenplay) | 1 more credit »
Popularity
318 ( 41)
Won 3 Oscars. Another 88 wins & 185 nominations. See more awards »

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Cast

Cast overview, first billed only:
Leonardo DiCaprio ... Hugh Glass
Tom Hardy ... John Fitzgerald
Domhnall Gleeson ... Captain Andrew Henry
Will Poulter ... Bridger
Forrest Goodluck ... Hawk
Paul Anderson ... Anderson
Kristoffer Joner ... Murphy
Joshua Burge ... Stubby Bill
Duane Howard ... Elk Dog
Melaw Nakehk'o Melaw Nakehk'o ... Powaqa
Fabrice Adde ... Toussaint
Arthur RedCloud ... Hikuc
Christopher Rosamond ... Boone (as Christopher Rosamund)
Robert Moloney ... Dave Stomach Wound
Lukas Haas ... Jones
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Storyline

While exploring uncharted wilderness in 1823, legendary frontiersman Hugh Glass sustains injuries from a brutal bear attack. When his hunting team leaves him for dead, Glass must utilize his survival skills to find a way back home while avoiding natives on their own hunt. Grief-stricken and fueled by vengeance, Glass treks through the wintry terrain to track down John Fitzgerald, the former confidant who betrayed and abandoned him. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

Blood lost. Life found. See more »


Motion Picture Rating (MPAA)

Rated R for strong frontier combat and violence including gory images, a sexual assault, language and brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

USA | Hong Kong | Taiwan

Language:

English | Pawnee | French

Release Date:

8 January 2016 (USA) See more »

Also Known As:

The Revenant See more »

Filming Locations:

Calgary, Alberta, Canada See more »

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Box Office

Budget:

$135,000,000 (estimated)

Opening Weekend USA:

$474,560, 27 December 2015

Gross USA:

$183,637,894

Cumulative Worldwide Gross:

$532,950,503
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

According to visual effects supervisor Richard McBride, almost all of the animals shown in the film were CGI. These include the bear, the bear cubs, the elk, the wolves, and the buffalo herd. See more »

Goofs

Several times during the movie characters have the frizzen, which makes the spark in a flintlock, open. The gun will not fire in this condition. More importantly, this opens the pan which holds the priming powder. This means the priming powder can be easily dumped onto the ground, rendering the firearms useless. See more »

Quotes

[first lines]
Hugh Glass: [in pawnee] It's okay son... I know you want this to be over. I'm right here. I will be right here... But you don't give up. You hear me? As long as you can still grab a breath, you fight. You breathe... keep breathing.
See more »

Crazy Credits

At the end of the end credits: "The making and authorized distribution of this film supported over 15,000 jobs and involved hundreds of thousands of work hours." See more »

Connections

Referenced in Call My Agent!: Jean (2018) See more »

Soundtracks

Church Dream
Written by Ryuichi Sakamoto & Alva Noto
Performed by Ryuichi Sakamoto & Alva Noto
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Frequently Asked Questions

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User Reviews

 
Stunning cinematographic feat. How on earth did they film that?
6 January 2016 | by alexanderchalkidisSee all my reviews

If this wasn't such a fantastic piece of storytelling, I would be interrupting every three minutes to ask "how the hell did they make that shot?" Even if you know a lot about special effects, this film will have you scratching your head all the time.

There are shots that start as close ups, go super wide, half way up a mountain and then close to something else miles away. There are interactions with animals like the bear, shot in a way that defies any cinematographic, animal training, prop, or other trick you can think of.

I can't wait to see some sort of "making of" that will allow me to sleep at night when I understand how they did it all. Instead of that jerky, overdone, getting us all motion sick, hand-held camera, there is a wide angle system which sucks you into the action in a way we haven't see before.

It doesn't matter if you don't like DiCaprio or dislike "that type" of movies. This is an awesome piece of work, worth watching regardless simply for the technical artistry.


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