A new FBI profiler, Elizabeth Keen, has her entire life uprooted when a mysterious criminal, Raymond Reddington, who has eluded capture for decades, turns himself in and insists on speaking only to her.
Lord Grantham sees his family heritage, especially the grand country home Downton Abbey, as his mission in life. The death of his heir aboard the Titanic means distant cousin Matthew Crawley, a Manchester lawyer, suddenly is next in line and accepts moving onto the vast estate with his even more modernist, socially engaged mother, who clashes with his lordship's domineering, conservative mother, the dowager countess. Marrying off the daughters is another concern. Meanwhile, the butler presides over a staff which serves the family, but also lead most of their entire lives in the servants' quarters, intriguing amongst themselves.Written by
When the first series was broadcast, Julian Fellowes, the creator and executive producer, was annoyed at newspaper articles which printed viewers' criticisms of anachronisms (e.g. TV aerials and double yellow lines in shot), especially the newspapers' assumptions that all such criticisms were valid. The word "boyfriend" was wrongly thought to be an anachronism, whereas it first appeared in print in 1889, long before the time when Downton Abbey was set. At the time, he said "They think to show how smart they are by picking holes in the programme to promote their own poshness and to show that their knowledge is greater than your knowledge". However in an article in Radio Times on 17 September 2011, coinciding with the start of the second series, Fellowes apologised and commented "I behaved rather badly by getting the hump". See more »
For the most part, none of the aristocratic characters in the series speak with the proper received pronunciation that would be accurate of the aristocracy of the time. See more »
This is beautifully filmed, with authenticity and societal values inherent in both script and acting. The story weaves in and out of two layers of society -- the masters and the servants -- giving us glimpses into the power struggles occurring on each level, and the colourful characters who inhabit both. I particularly enjoy seeing the large-scale production involved in taking care of a household of this magnitude, and the care taken with all the details. Given today's rapid pace, it's almost peaceful to watch this deliberately slowed pace, and to get a genuine sense of what it was like to be an estate-owner in this period. Housemaids who gossip, independent young men who don't appreciate the butler's code of honour, catty women and genteel sophisticates all combine to make this a very enjoyable romp among the rich of yesteryear!
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