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Frank (2014)

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2:06 | Trailer
Jon, a young wanna-be musician, discovers he's bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.

Director:

Lenny Abrahamson
13 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Domhnall Gleeson ... Jon Burroughs
Moira Brooker ... Jon's Mother
Paul Butterworth ... Jon's Father
Phil Kingston ... Radio DJ
Billie Traynor Billie Traynor ... Cafe Lady
Shane O'Brien Shane O'Brien ... Lucas
Scoot McNairy ... Don
Maggie Gyllenhaal ... Clara
François Civil ... Baraque
Carla Azar ... Nana
Chris McHallem Chris McHallem ... Paramedic
Michael Fassbender ... Frank
Michael James Ford Michael James Ford ... Port Official
Mark Huberman ... Management Guru
Rosalind Adler Rosalind Adler ... German Mother
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Storyline

Jon, a young wanna-be musician, discovers he's bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.

Plot Summary | Plot Synopsis

Taglines:

When you think you've gone far enough, go farther. See more »

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site

Country:

UK | Ireland

Language:

English | French | German

Release Date:

5 September 2014 (USA) See more »

Also Known As:

Frenk See more »

Filming Locations:

Albuquerque, New Mexico, USA See more »

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Box Office

Opening Weekend USA:

$16,056, 17 August 2014

Gross USA:

$645,186

Cumulative Worldwide Gross:

$1,897,363
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The production never actually filmed at SXSW; Albuquerque stepped in for Austin. See more »

Goofs

When Frank falls on stage during the performance at SXSW, we can see he hits the head on the left side. When Jon goes to help him, the head is fractured on the left. But on the next shot, and in the following scenes at the motel, the fracture is now on the right side of the head. See more »

Quotes

Frank: We were in the forest like secret squirrels, and now we're likable! We're - we're so like... nnnnng... hmmm... it's gonna be huge! Jon fixed everything! You gotta come see us tomorrow night, I promise nothing bad'll happen to you!
Clara: Let's go take a walk.
Frank: I'm incredibly happy to be here! I'm fine! I'm relaxed!
See more »

Crazy Credits

The credits roll with colored tiles floating and rotating in the background. At one point for a second, the tiles form Frank's head. See more »

Connections

Referenced in Chelsea Lately: Episode #7.95 (2013) See more »

Soundtracks

The Ginger Crouton
Vocals by Michael Fassbender
Performed by The Soronprfbs
Music by Stephen Rennicks
Lyrics by Lenny Abrahamson
See more »

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User Reviews

 
Inside the Head that's Inside the Head
30 August 2014 | by ferguson-6See all my reviews

Greetings again from the darkness. Most movies fit pretty easily into a genre: drama, comedy, action, etc. This latest from film festival favorite Lenny Abrahamson is tough to classify. It begins with silly and funny inner-dialogue from an aspiring musician/songwriter (Domhnall Gleeson), transitions into a dark dramady with complex characters and dialogue, and finishes as a bleak statement on mental illness and the music business.

That's more than I would typically disclose, but some have described the film as an outright comedy and I find that unconcsionable. If you are expecting a laugh riot, you will not only be disappointed, but are likely to miss the unique perspective provided.

The screenplay is written by "The Men Who Stare at Goats" collaborators Jon Ronson and Peter Straughan. Clearly inspired by the late British comedian and musician Chris Sievey (and his character Frank Sidebottom), Mr. Ronson's work with Mr. Sievey is the driving force. It's also the reason Gleeson's character is emphasized over Michael Fassbender's titular character who dons the paper mache head for the bulk of the movie. This script decision probably keeps the film from being truly great.

The exceptional and attention-grabbing first 15 minutes set up a movie that dissolves into an exploration of the creative process within mental illness ... Franks states numerous times that he has a certificate (certifiable). There is also an ongoing battle between art and commerce, as waged by Maggie Gyllenhaal's character and that of Gleeson. Social Media power is on full display as this avant-garde performance art band gathers a huge following prior to ever really producing any music.

Without seeing Frank's facial expressions, we witness his transformation from mystic/guru to an unstable and socially uncomfortable dude striving for likability, but unsure what the term really means. Must artists suffer for their art? Why does society latch onto the newest social media gimmick? What is creative success and why are so many afraid of it? The film begs these and other unanswerable questions. Certainly interesting, but definitely not 90 minutes of laughter.


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