Single factory worker Kata, 43, wants to have a child with her long-time secret lover, a married man called Joska. He doesn't like the idea. Kata befriends teenage schoolgirl Anna, ... See full summary »
Two segments. The first one arranges six stories from Cesare Pavese's "Dialoghi con Leucò", taken from classical mythology. The second segment is taken from Pavese's novel "La luna e i falò... See full summary »
The foolish servant Pulcinella is sent from the depths of Mt. Vesuvius to present-day Campania to honor the last wishes of the poor shepherd Tommaso: his mission is to save a young buffalo ... See full summary »
Four chapters based on the birth of a 'secret child', or a film, with chapter titles: "La séction Césarienne" (Caesarian section: a descriptive detail introducing the mother); "Le dernier ... See full summary »
Henri de Maublanc,
An atheist, Iranian filmmaker Mehran Tamadon managed to convince four mullahs, all believers in the Islamic Republic of Iran, to come and stay with him for two days and engage in discussion... See full summary »
An ogre keeps in his castle two children, whom he intends to eat. A knight and his companion will try to save them, and will be assisted by the ogre's wife, who thus will also get rid of her husband. A medieval story in contemporary settings.
Jamilia is the heroine of the classic Kyrgyz novel about a young woman who, having been forced to marry, fled with her lover. Fifty years later, the director meets several generations of ... See full summary »
Membra Jesu Nostri, BuxWV 75 - II. Ad Genua
Composed by Dietrich Buxtehude
Performed by Accademia Instrumentale Italiana Sonatori de la Gloriosa Marca
Conducted by Diego Fasolis
Courtesy of HNH International See more »
I went to see this film last night at the Melbourne International Film Festival. I must admit that the only reason I went was that the film is set in the city I was born and where I lived for the first two decades of my life. The story of Mary and Enzo was interesting and could have been very poignant. However, it was engulfed by a messy and incoherent collection of images from a bygone era which made no sense at all and added nothing to the story. It felt like a film student project where the student had been given full access to old footage and went for broke. It was obvious that the film attempted to recreate the poetic atmosphere of a Terence Davies production. In Davies's films all the component work harmoniously together. In this case, all the components fell apart and crushed loudly against the rocky beaches of the Genoese coastline. And sadly, the power of the story of Many and Enzo was weakened by the effort.
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