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Bridget Jones's Baby (2016)

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2:24 | Trailer
Bridget's focus on single life and her career is interrupted when she finds herself pregnant, but with one hitch ... she can only be fifty percent sure of the identity of her baby's father.

Director:

Sharon Maguire

Writers:

Helen Fielding (screenplay), Dan Mazer (screenplay) | 2 more credits »
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3,527 ( 632)
2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Renée Zellweger ... Bridget
Gemma Jones ... Mum
Jim Broadbent ... Dad
Sally Phillips ... Shazzer
Julian Rhind-Tutt ... Fergus
Shirley Henderson ... Jude
Ben Willbond ... Giles
Paul Bentall Paul Bentall ... Minister
Colin Firth ... Mark
Agni Scott ... Camilla
Katia Elizarova ... Glamorous Looking Woman
Tom Rosenthal ... Josh - Researcher
Beattie Edmondson ... Laura (Young Assistant)
Laura Checkley Laura Checkley ... Susan - Floor Manager
Sarah Solemani ... Miranda
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Storyline

On her 43rd birthday, Bridget Jones is awoken by her mother who reminds her that her time to have children is running out. She goes to attend the funeral of Daniel Cleaver, who is presumed dead after a plane crash. While there, she sees her ex, Mark Darcy (Colin Firth) and his new wife. They bump into one another somewhat awkwardly and then go their separate ways..

Plot Summary | Plot Synopsis

Taglines:

We're going to need bigger pants See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, sex references and some nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | France | China | UK

Language:

English | Italian

Release Date:

16 September 2016 (USA) See more »

Also Known As:

Bridget Jones 3 See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$8,571,785, 18 September 2016

Gross USA:

$24,252,420

Cumulative Worldwide Gross:

$211,952,420
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos | DTS (DTS: X)| Dolby Digital | Dolby Surround 7.1

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This is not a film adaptation of Helen Fielding's "Bridget Jones: Mad About the Boy," the third novel in the Bridget Jones series, released in 2013. Instead it's based on an original screenplay which Fielding wrote with David Nicholls. See more »

Goofs

Bridget lives by London Bridge station and Mark says he lives in Ealing. In one scene, Bridget leaves her flat and walks to Mark's house. This would be a walk of more than 10 miles. See more »

Quotes

Jack: For better or worse, fate has brought us together.
Mark: It wasn't fate, it was condoms.
Jack: What do you mean?
Mark: Those ridiculous dolphin-friendly things from the bottom of Bridget's bag.
Jack: I'm sorry, I have no idea what you're talking about. When Bridget and I got it on, I was... I was not dressed for the occasion.
See more »

Crazy Credits

There's a picture a the very end of the credits showing Bridget, the child, and the father of the child all wearing Christmas Jumpers. See more »

Connections

Follows Bridget Jones's Diary (2001) See more »

Soundtracks

Mambo Italiano
Written by Bob Merrill
Performed by Carla Boni
Courtesy of Warner Music U.K., Ltd.
See more »

Frequently Asked Questions

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User Reviews

 
Not that much of an improvement
16 July 2017 | by TheLittleSongbirdSee all my reviews

'Bridget Jones's Diary' was an immensely enjoyable film. It had a lot going for it, and succeeded on almost every level. It didn't cover much new ground and didn't break any conventions, but it was warm, charming, hugely funny and sometimes poignant, with a great cast. 'Bridget Jones: The Edge of Reason' was however a big step down, despite being adeptly played it lost a lot of what made 'Bridget Jones's' Diary so good.

Heard a lot of different opinions on 'Bridget Jones's' Baby. Some people said that it was a return to form and a huge improvement over 'Bridget Jones: The Edge of Reason'. Others said that it was worse and had no point to it. Having seen it myself, initially worried but really wanting to like it and judge it as mindless entertainment, to me it was an improvement but not by much. Not a return to form and nowhere near as good as 'Bridget Jones's Diary'. There are things that are done better here, but there are also the same mistakes and also a few different ones.

It has its good points certainly. 'Bridget Jones's Baby' looks good, being mostly attractive visually in a film that doesn't require epic sweeping cinematography or opulence while still being beautifully shot and with striking locations.

Again, like the previous two films, 'Bridget Jones's' Baby' is adeptly played. Renee Zellwegger, whose Bridget is nowhere near as much a parody or the butt of the joke like in 'Edge of Reason', overdoes it in the facial expressions (on a side note, and no shallowness intended, the Botox does not help), but really attempts and succeeds at bringing out the great qualities of her acting in the previous two films, trying to bring out the funny, adorably awkward and sympathetic sides of her character when the material allows it and her accent more than game.

Colin Firth is sophisticated, understated and charmingly stoic. Gemma Jones and Jim Broadbent seem incapable of giving bad performances, though they did deserve more to do, while Sarah Solemani brings an enjoyable amount of sauciness. The casting highlight however is Emma Thompson, who is a hoot and is a breath of fresh air with the funniest material. On that note, there are more amusing moments here than there were in 'Edge of Reason', Thompson's material mostly but also the reason for Hugh Grant's absence and Ed Sheeran. The soundtrack is more appealing this time round with better choice of songs.

For all those good things, the story is even more contrived and predictable than 'Edge of Reason', and, apart from a few good moments, too much of the writing and gags are tired, recycled and even more stale, freshness was sorely lacking here. The romantic elements are lacking in heart and warmth and, despite a subject that so many people would relate to, 'Bridget Jones's Baby' does little with the subject and offers nothing illuminating.

Some of the subplots are strange and clumsily used, especially the one dealing with the punk rock, which didn't seem to fit. Patrick Dempsey is a comparatively fairly weak and mediocre at best substitute for the much missed Hugh Grant (who excelled so well at playing against type previously), having much less of his charm and charisma and instead coming off as both bland and annoying.

While the songs themselves are good, the placement for some isn't, with some misplaced randomness going on. Sharon Maguire's direction is more competent here but is still uninspired, while there is some amateurish editing and obvious, cheap use of green screen.

Overall, not awful but a disappointment and should have been so much better. Instead of laughing consistently, being touched or oohing and ahhing, found myself questioning 'Bridget Jones's Baby's' necessity and thinking "so what?". 5/10 Bethany Cox


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