It tells the tale of Petronella (a Scottish/Romany girl) and Fergal (her mysterious Irish traveller boyfriend). As their doomed relationship plays out, a Beast stalks the estate, killing ...
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When the patriarch of the family passes away, the teenage children must take responsibility for the family chores: the preparation of the rituals, the hunting and putting the all-important ... See full summary »
Jorge Michel Grau
Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their ... See full summary »
James Anthony Pearson,
Story of four teenagers (Beth, Luis, Coll and Ivan) who accidently uncover a cursed Celtic well and release an evil spirit into the world. They must discover how to restore order before one... See full summary »
A deadly infection breaks out in Manhattan, causing humans to devolve into blood-thirsty rat creatures. Six recently evicted tenants must survive the night and protect their downtown ... See full summary »
A University professor takes four archaeology students on a field trip to a remote Scottish island. With tensions already present in the group, they unearth clues to an ancient mystery that will threaten their lives.
Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
Chloë Grace Moretz
It tells the tale of Petronella (a Scottish/Romany girl) and Fergal (her mysterious Irish traveller boyfriend). As their doomed relationship plays out, a Beast stalks the estate, killing locals, working its way towards our protagonists. Meanwhile Cathal and Liam, two mysterious travellers from Ireland use ritual and magic on a blood hunt. Mary, Fergal's mother performs ritual and magic of her own. As Cathal comes face to face with Mary in a vicious finale we know one thing: the Beast must die.Written by
The book Mary gives Fergal for his birthday is "Titus Alone", the concluding volume in the 'Gormenghast' trilogy by Mervyn Peake. In the book, Titus, the heir to the castle of Gormenghast, decides voluntarily to cut himself off from his ancestral home and not to claim his heritage; rather like the choice which Mary is expecting Fergal to make in the film. See more »
A really solid and interesting slice of gritty urban supernatural horror
I don't tend to be a huge fan of modern day British horror, so it's refreshing to see something this smart, original and entertaining. Writer/director Colm McCarthey has crafted here a supernatural kitchen sink horror that entwines both aspects with skill, unobtrusive social comment and psychological intensity. The film follows Fergal and his mother Mary, set up in a flat on a run down estate, though mysterious hunters are after them and both Mary and Fergal have things to hide, brooding concerns that unfold during the course of the film. I've kept this summary vague because a lot of the fun here comes in watching things unfold, but let's just say that spell-casting strangeness, mythology and violent death are involved. Beyond the plot mechanics lie the real interests of the film, brought out partly in setting and characters and as strongly in the assortment of fine acting turns at hand. The film is concerned with family and culture and their tensions, characters have an assortment of backgrounds, Irish, Scottish, Polish and less defined varieties of "other". Conflicts mount, based not on easy illustrations of racism but family ties, sexual fears and adolescence, the film has even its minor characters picking through a minefield and an ever present feel that its gritty locales could erupt. Speaking of gritty locales, the cinematography of Darran Teirnan does a great job of grounding everything in recognisable reality, with palpable run-down atmosphere. The character seeth as much as the setting, Kate Dickie is most powerful as Mary, high strung, unsettling in the clammy closeness of her concerns for Fergal and convincingly, even erotically pagan during her supernatural scenes. Niall Bruton is effective as Fergal, a quiet and haunted fellow with a certain inner grace, yearning and sympathetic edge. Hanna Stanbridge stands out as an earthy and foul mouthed but irresistibly attractive fellow tenant with the hots for Fergal, good contrast to the wilder goings on, while James Nesbitt is great as a grimly determined, ambitious and shifty hunter. Outcast moves at a quick pace, though horror junkies should note that the film is as driven by drama of the more conventional kind as it is horror hi-jinks. Gore and effects are used sparingly but to good effect, with the distinct advantage of being fairly unusual in their use. The only significant problem here is some of the shaky camera work used, though once or twice it is good at conveying an impression without showing too much, it detracts from the climax where a better view of proceedings would have been much appreciated. Altogether, I thought this one rather ace, it takes a little getting into and the contrast of setting and shenanigans will undoubtedly jar for a fair few viewers, but for me pretty well everything worked great. A solid recommendation from me then, 8/10.
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