In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the über-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina disturbs the domestic balance.Written by
Arturo Rispstein said he wanted to send a message to director Yorgos Lanthimos saying: "I hope we win" the night of the Oscars when this movie was nominated, suggesting that Lanthimos' movie was based on 'The castle of Purity' (1973) See more »
When the boy brushes his shoes it is seen he touches the carpet with the brush, but the carpet stays clean. See more »
The new words of the day are: "Sea", "Highway", "Road trip" and "Shotgun".
See more »
Not a lot of movies shock me. So I was quite surprised the unsettling impact Dogtooth had on me. A father locks up his 3 children who are in their late teens - early twenties in a large house and they have stayed there all their lives.
The three children are told lies of various degrees. Living totally isolated from the world and in a manufactured universe, they do not react like normal people would. The lack of awareness and exposure makes for very interesting scenarios and reactions.
The film can be pondered upon on several levels. For instance, governments never really tell their people any thing close to the whole truth. Thoughts on these lines - the harms caused by leaving people in the dark are the obvious things one can take back from the movie.
I am very interested in the alternate viewpoint of the parents though. They genuinely thought exposing the children to the world would be harmful for them. While that is not some thing one can possibly agree with, there are some positives which do come out of it in my opinion. For instance, when one of the girls who has never having been exposed to popular culture, dances, she creates some thing unique. As she has not seen any thing before, she is not influences by any thing and creates her own style. That is a positive in my mind.
This is film which is close to a masterpiece. When the film had released, it was panned in The New York Times and received an average review from Roger Ebert. I am quite pleased then, that it is slowly getting appreciation and is ending up in a few best of the year lists as well. This is a must watch according to me. 8.5/10.
83 of 137 people found this review helpful.
Was this review helpful to you?
| Report this