Several residents of a small Southern city whose lives are changed by the arrival of a stranger with a controversial plan to save their decaying hometown. In the midst of today's ...
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On Friday the 13th, different people meet on Grand Cayman - a US money launderer and his daughter, a lawyer, a young fisherman in love with a rich man's daughter, other high school students, a crime gang etc.
Policemen Ali Sokhela and Brian Epkeen investigate the brutal murder of a young white woman, apparently provoked by the availability of a new illegal drug and somehow connected to the disappearance of black street children.
Several residents of a small Southern city whose lives are changed by the arrival of a stranger with a controversial plan to save their decaying hometown. In the midst of today's challenging times, each of the colorful citizens of this close-knit North Carolina community, will search for ways to reinvent themselves, their relationships and the very heart of their neighborhood.Written by
The old home occupied by Georgiana Carr is located at 206 N. Dillard Street in Durham. It was built about 1909 by a grocery wholesaler (as opposed to 1923 by tobacco magnate, as the movie states), has gone through several owners and configurations, and now is owned and used by the Durham Crisis Reponse Center, an agency that supports victims of domestic violence. The home is across Dillard Street from a television station, and the station's satellite dishes are seen in some shots in the film. See more »
While Mary and her mother are talking in her bedroom, her mother's hair changes position - alternately behind and in front of her ear. See more »
This city like many in America, has come to a rough moment in its history. A city after all is just a collection of houses and buildings, hopes and dreams that depend on the fortune and determination and fate of its residents. The future, uncertain at best can be fearful or full of promise. It's all in how you see it..."
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At first glance, MAIN ST. would seem to have all the ingredients for an absorbing piece - a top-notch cast (with two Brits doing very creditable Southern accents), a strong sense of place (Raleigh, North Carolina), and a taut, spare script by veteran Horton Foote. Then why is the movie such a disappointment? Its subject-matter is a pertinent one: the decline of American urban life and the schemes hatched by entrepreneurs to regenerate it, which might not necessarily please the existing residents. However the production is particularly slow-moving: the camera spends a long time focusing on tight close-ups of the protagonists, especially Ellen Burstyn as Georgiana Carr. This would be a perfectly acceptable strategy, were it not for the consciously showy nature of the performances: the actors are allowed to get away with the kind of theatrical gestures and facial movements that would not seem out of place in Victorian melodrama. As a result, we end up not really caring about the characters at all. Matters are not helped by the treacly soundtrack (from the normally reliable Patrick Doyle) that obtrudes itself on several occasions. Perhaps the material might have been better if another director had handled it.
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