Critic Reviews



Based on 10 critic reviews provided by Metacritic.com
Boxoffice Magazine
Ferrera proves herself to be just as talented in dramatic roles.
A gut-wrenching look at the human cost of war.
Village Voice
The Dry Land does slip inside the inescapable, closed-circle logic of despair, and O'Nan's shy, precarious performance keeps you with him to the edge of the abyss.
There's nothing in director Ryan Piers Williams' script that elevates this film above others with similar themes. But his heartfelt approach can be seen in the committed cast -- led by O'Nan but also including ­Valderrama, whose quietly ­authentic work is a nice surprise.
A little focus might have helped. Or not: The Dry Land seems intent to tick off a checklist of PTSD symptoms without animating them with fresh details or creative life. It's cloaked in an earnestness that suffocates.
A strong first film, and with a better-honed script, Williams should prove to be a director to watch.
Only jackanapes and jackasses would deny that the experience of war can cause psychic damage, but does that mean we have to sit through such a schematic, dogmatic melodrama about the subject?
Sincere performances elevate an underdeveloped script and awkward filmmaking in The Dry Land, a coming-home drama as inexpressive as its traumatized lead.
Shaped more for message than for convincing narrative impact, The Dry Land ends up feeling like a PSA to raise awareness of post-traumatic stress disorder.
A painfully earnest drama about post-traumatic stress disorder that sticks so closely to the soldiers-coming-home template, writer-director Ryan Piers Williams seems to be diligently working through a checklist of returning-warrior-movie clichés.

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